Young’s own daughters, successively adopted as babies in China, inspire this tender celebration of love flowering between sisters. Narrator Antonia plays at being “Jieh-Jieh”—big sister—with her parents. She wistfully befriends an invisible “Mei Mei”—a younger sister. When she is three, she and her parents fly “the friendly sky to China” to bring a baby Mei Mei home. Terse yet expressive text (rendered the more economical by voluptuous, full-bleed double spreads of collaged florals, pastel and gouache), conveys Antonia’s conflicting emotions, from excitement to abandonment, protectiveness to pride. In a particularly lovely spread, Antonia confides, “I help her with reading and math so we can play more board games.” Cocooned together among pillows and cats on a flowery ground evoking William Morris textiles, Mei Mei listens as Antonia reads what’s clearly a copy of Leo Lionni’s Little Blue and Little Yellow. With Antonia garbed in yellow and Mei Mei, bright blue, the composition perfectly evokes the girls’ symbiosis. By the close, of course, exhibiting the collusive, boundary-pushing exuberance of young siblings, the girls sweetly ask, “Can we have another Mei Mei?” (author’s note) (Picture book. 4-7)
Pub Date: Feb. 1, 2006
ISBN: 0-399-24339-9
Page Count: 32
Publisher: Philomel
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 2006
Categories: CHILDREN'S FAMILY
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When a young panda asks each of his parents for a kiss, they give him choices: “A soft kiss? / A sweet kiss? / A sticky bamboo treat kiss?” High or low, in the sun or the rain, from a bunny or a fish? In the end the young panda determines that “There are many kisses that will do! / But the best kiss is—from both of you!” A large font, rhythm and rhyme, picture clues and a low word count per page will help emergent readers succeed. Widdowson’s bright illustrations scatter Chinese elements throughout, adding international flair, and sprinkle other animals exchanging smooches for extra interest. A sweet treat to share with a beginning reader. (Early reader. 4-7)
Pub Date: Dec. 9, 2008
ISBN: 978-0-375-84562-8
Page Count: 32
Publisher: Random House
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Nov. 15, 2008
Categories: CHILDREN'S ANIMALS | CHILDREN'S FAMILY
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A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: March 2, 2021
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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SEEN & HEARD
Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).
Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.
Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)Pub Date: Nov. 5, 2019
ISBN: 978-1-338-60083-4
Page Count: 24
Publisher: Scholastic
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Categories: CHILDREN'S ANIMALS | CHILDREN'S FAMILY
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