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CALIFORNIA

This has the bones of an excellent book, but, sadly, an untenable amount of flab is covering them.

The end of American civilization has come and gone, and a young married couple has fled Los Angeles to live in the wilderness in Lepucki’s debut novel.

Cal and Frida, alone in the woods, provide for themselves—but once Frida becomes pregnant, finding more of civilization’s refugees becomes important, especially since their only neighbors have committed suicide. They find an encampment surrounded by spikes and are invited to be candidates for the group. They will stay with the community, making friends and learning the ropes, until the other commune members vote on whether they should stay or leave. Soon they discover there are dangers even in this relatively secure place. They notice there are no children in the group, so they hide Frida’s pregnancy. Other unsettling details emerge as the couple tries to win the commune over—Frida by baking, Cal by serving as a member of the community counsel. The color red is forbidden. Surprisingly luxurious supplies arrive—but from where? The counsel is full of secrets, and the leader forbids Cal from sharing them with Frida. One character, thought to have died in a suicide bombing before Cal and Frida struck out for the wild, is miraculously alive at the commune, after the couple spent many pages grappling with his death. This is a misstep on Lepucki's part, showing the reader that she isn’t above bending the rules, which makes it more difficult to feel real concern for Cal and Frida. They will never be in too much trouble; Lepucki won’t allow it. The chapters alternate between Cal’s point of view and Frida’s and are heavy on flashbacks that bog down an otherwise tense narrative of survival.

This has the bones of an excellent book, but, sadly, an untenable amount of flab is covering them.

Pub Date: July 8, 2014

ISBN: 978-0-316-25081-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: June 14, 2014

Kirkus Reviews Issue: July 1, 2014

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MORNING STAR

From the Red Rising Trilogy series , Vol. 3

An ambitious and satisfying conclusion to a monumental saga.

Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.

This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”

An ambitious and satisfying conclusion to a monumental saga.

Pub Date: Feb. 9, 2016

ISBN: 978-0-345-53984-7

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Dec. 8, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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IRON GOLD

For those who like their science fiction dense, monumental, and a bit overwrought.

Brown is back with Book 4 of his Red Rising series (Morning Star, 2016, etc.) and explores familiar themes of rebellion, revenge, and political instability.

This novel examines the ramifications and pitfalls of trying to build a new world out of the ashes of the old. The events here take place 10 years after the conclusion of Morning Star, which ended on a seemingly positive note. Darrow, aka Reaper, and his lover, Virginia au Augustus, aka Mustang, had vanquished the Golds, the elite ruling class, so hope was held out that a new order would arise. But in the new book it becomes clear that the concept of political order is tenuous at best, for Darrow’s first thoughts are on the forces of violence and chaos he has unleashed: “famines and genocide...piracy...terrorism, radiation sickness and disease...and the one hundred million lives lost in my [nuclear] war.” Readers familiar with the previous trilogy—and you'll have to be if you want to understand the current novel—will welcome a familiar cast of characters, including Mustang, Sevro (Darrow’s friend and fellow warrior), and Lysander (grandson of the Sovereign). Readers will also find familiarity in Brown’s idiosyncratic naming system (Cassius au Bellona, Octavia au Lune) and even in his vocabulary for cursing (“Goryhell,” “Bloodydamn,” “Slag that”). Brown introduces a number of new characters, including 18-year-old Lyria, a survivor of the initial Rising who gives a fresh perspective on the violence of the new war—and violence is indeed never far away from the world Brown creates. (He includes one particularly gruesome gladiatorial combat between Cassius and a host of enemies.) Brown imparts an epic quality to the events in part by his use of names. It’s impossible to ignore the weighty connotations of characters when they sport names like Bellerephon, Diomedes, Dido, and Apollonius.

For those who like their science fiction dense, monumental, and a bit overwrought.

Pub Date: Jan. 16, 2018

ISBN: 978-0-425-28591-6

Page Count: 624

Publisher: Random House

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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