This emotionally intense, wildly imaginative novel is both down-to-earth and out-to-lunch. One of a kind.
Communes and counterculture, dysfunctional families, astral travel...welcome to California in the second half of the 20th century.
The first time Sharon experiences her ability to revisit scenes from her past, she’s 16. “How could she see herself? She could feel her own body, back in the bedroom, but she was also here in the backyard, without a form. She was a floating consciousness. This other self, the one on the grass—Sharon recognized herself. Three years in the past. She was thirteen. And, still, sixteen. Here and there at the same time. This was the night of her father’s funeral. The best day of her life.” Lepucki’s latest novel is, in a word, a trip, narrated by Time itself. It begins with a literal trip, as Sharon runs away from the horrors of her childhood in Connecticut and heads for a different life with a new name: Ursa. Ursa’s adventures in California unfurl through the late 1950s and ’60s, and by the 1970s, she’s a single mother raising her son at a woodland women’s commune/marijuana farm, with her mysterious psychic abilities making her a cult leader. Her son, Ray, does not have a happy childhood, however, nor does his close companion, Cherry. The running away continues—first Ray and Cherry run to LA, and then Cherry leaves Ray to raise their baby, Opal, alone—and so does the time travel, as another character turns out to have Ursa’s gift. The novel follows the characters into the 1990s, by which time the terrible thing in Ursa’s past that made her celebrate her father’s death has impacted three generations of parenting, and the resentment and secrecy that have festered over the decades come to a head. Lepucki is known for combining domestic realism with a magical worldview and/or SF–adjacent elements (here, there’s an isolation chamber in a box in the garage inspired by Reich’s Orgone Accumulator) and for evoking California in all its real, surreal, and unreal glory. She does it again.
This emotionally intense, wildly imaginative novel is both down-to-earth and out-to-lunch. One of a kind.Pub Date: Aug. 1, 2023
ISBN: 9781640095724
Page Count: 416
Publisher: Counterpoint
Review Posted Online: May 23, 2023
Kirkus Reviews Issue: June 15, 2023
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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