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JOHN PRINE

IN SPITE OF HIMSELF

It’s difficult for Huffman to establish much stylistic continuity when he relies so heavily on quotes from other...

A guide to the troubadour’s career lacks access to the artist himself but benefits from a subject who is as intriguing as his songs.

In his first book, Greensboro News & Record staff writer Huffman proves an amiable companion as he leads readers though the musical development of an artist whose songwriting uniqueness has prevailed over a decided lack of ambition and decades of commercial indifference. If it weren’t for his close friend and fellow troubadour Steve Goodman, who “had enough ambition for both of them,” Prine might have been happy to remain the singing mailman from suburban Chicago. The author shows just how little Prine enjoyed the business side of the music business and how the strength of his songwriting offset raw indifference as a singer and guitarist in his early studio recordings. More than once he was willing to chuck his career for something different. He never believed the critical claims made by others on his behalf: “If I’m a genius, how come it took me five years to get out of high school?” he told an AP reporter in 1978. “If I’m a genius, how come I don’t have three Cadillacs?” It might have seemed that Prine was destined to be known primarily from the songs on his 1971 debut album—“Sam Stone,” “Hello in There,” “Angel from Montgomery”—with subsequent efforts doing little to raise his profile as he bounced from one record label to another. Yet he amazingly rebounded in 1991 with “The Missing Years,” his most popular album ever and a return to critical acclaim. By then, Prine had started his own label and found domestic bliss with his third wife, and he has subsequently survived a couple bouts with cancer. If he’s lost the inspiration to write songs, that doesn’t seem to bother him much.

It’s difficult for Huffman to establish much stylistic continuity when he relies so heavily on quotes from other journalists, but the unlikely success of the reluctant performer makes for fascinating reading.

Pub Date: March 15, 2015

ISBN: 978-0-292-74822-4

Page Count: 224

Publisher: Univ. of Texas

Review Posted Online: Dec. 28, 2014

Kirkus Reviews Issue: Jan. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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