by Eden Royce ‧ RELEASE DATE: Oct. 21, 2025
A tale of loss and hope and how the present can give way to new futures.
When her estranged aunt dies, one young woman volunteers to settle the estate.
Twenty-one-year-old Phaedra St. Margaret, better known as Phee, is all too aware that she’s supposed to be pursuing marriage—her mother reminds her constantly of the fact. But Phee is interested in more than just cotillions with eligible men. Times in New Charleston are changing, and it’s possible for a woman to make a living for herself without a marriage; Phee just has to prove she’s capable. When news arrives that her aunt has unexpectedly died, Phee impulsively agrees to pomp for her—to arrange the funeral and all related affairs. Phee’s mother hasn’t spoken to her sister in years and isn’t happy that Phee volunteered, but Phee goes anyway. After all, someone from the family has to do it, and Phee hopes to honor the aunt she never saw enough. In her aunt’s house, Phee uncovers bits of her aunt’s life as well as mysterious hints of magic slipping through the halls. As Phee tries to understand how to manage things for her aunt, she also deals quietly with loss and with chances not taken as she decides what to do next with her life. Phee inhabits a magical version of post–Civil War America, where freedmen are discovering new paths for themselves while still, at times, facing racism and hostility. Phee also grapples with this reality, but for her story this is a backdrop for her internal coming-of-age journey and her reckoning with loss. All told, this is a refined, pensive tale, where the magical trimmings fade away to focus on the larger, fable-like narrative at play.
A tale of loss and hope and how the present can give way to new futures.Pub Date: Oct. 21, 2025
ISBN: 9781250330963
Page Count: 176
Publisher: Tordotcom
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Ariel Sullivan ‧ RELEASE DATE: March 24, 2026
Let’s hope for more from the next book set in this world.
Sasha Cadell has survived against all odds, holding onto her loved ones and strangers as they take their last breaths—and that’s why she’s known as Death’s Angel.
For six years Sasha has lived in Haven, the underground society built to withstand nuclear war. Since the war, since her family’s deaths, since discovering she doesn’t get sick like everyone else does, Sasha’s life has been full of death and overfull with grief. While working in the Ward, Haven’s limited hospital, she stays with patients as they die. When Tristian Hayes, a unit commander of the Force, ends up as her patient, hanging on for his life, she pleads for him to stay alive. He does—upending her bleak ritual as Death’s Angel. Hoping to forget everything she’s seen and to numb the pain, Sasha leaves the Ward in favor of a role with a pickax, expanding Haven’s tunnels. Tristian, fiercely determined and stunningly stubborn, recruits Sasha to the Force for a vital mission aboveground. The story picks up steam with Sasha’s intense training to become the medic for Tristian’s tightknit unit. Together, they bear the weight of their unit’s survival and all that’s left of humankind. While in training, Sasha struggles to discern friends and enemies, but nothing is as challenging as facing her own demons. In this prequel to her debut novel, Conform (2025), Sullivan tries to accomplish a lot with both the worldbuilding and plot machinations, resulting in a convoluted story and flattened characters. The plot doesn’t have a satisfying payoff, but the romantic tension between Sasha and Tristian will keep readers engaged.
Let’s hope for more from the next book set in this world.Pub Date: March 24, 2026
ISBN: 9798217091027
Page Count: 464
Publisher: Ballantine
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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