Meddling? Middling. A pleasing enough confection, but no great advance for either pop culture or the author’s development.
Barcelona-based novelist Cantero (The Supernatural Enhancements, 2014) returns with a lightly spun yarn steeped in decades-old American pop media.
The members of the Blyton Summer Detective Club, who last adjourned in 1977 after sleuthing around the improbably named Zoinx River Valley in search of supernatural beings, have got the band back together a decade and a half later—well, with all but one of their number, who has inconveniently died. But are the dead ever dead? No, of course not. Of the original crew, Andy has turned into a butch, spiky young woman seemingly bucking for a dragon tattoo to call her own. Nate, “pale, blue-eyed, more worn but still fragile,” let the ghosts get to him and has been in and out of mental institutions. Kerri has visions, too, but mostly ones brought on after one too many hits off the bottle. And there’s a telepathic dog, too, that just may be living proof of metempsychosis. (“Please do not feel deceived: he has been your dog all this time. I just ride along.”) If all this smacks of Scooby-Doo, then that’s by design, though it’s not the only mass-media allusion: glimmers of The Haunting, Dark Shadows, the Witch Mountain franchise, Halloween, and Tales from the Crypt dance above the swamp. There’s even a satisfying explanation for “why bad guys charge at Jackie Chan in a single row,” albeit the bad guys in question are your garden-variety hell beasts, “drooling, hissing, claw-waving creatures.” Undergods, Thtaggoalites, uber-demons, six-limbed monsters: whatever the other side can throw at our gumshoes they deal with handily if cartoonishly. Cantero is a lively, capable writer, but this isn’t much of a stretch for him; he seems determined to occupy the middlebrow midrange, turning in a piece better fitting an episode of The Librarians than, say, a spooky exercise by Guillermo del Toro.
Meddling? Middling. A pleasing enough confection, but no great advance for either pop culture or the author’s development.Pub Date: July 11, 2017
ISBN: 978-0-385-54199-2
Page Count: 336
Publisher: Doubleday
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
BOOK REVIEW
Fans of smart horror will sink their teeth into this one.
Things are about to get bloody for a group of Charleston housewives.
In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.
Fans of smart horror will sink their teeth into this one.Pub Date: April 7, 2020
ISBN: 978-1-68369-143-3
Page Count: 400
Publisher: Quirk Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
PERSPECTIVES
SEEN & HEARD
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
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