Difficult to read and understand; the presentation squashes an intriguing premise.
This ambitious novel, written mostly in the form of a play, combines action, mythology, religion and anime.
Edge is an Asian-American teen from Brooklyn who, as a child, discovers he can harness heat energy and shoot fireballs. He possesses this power as the result of a war waged between Jehovah and Lucifer, in which one of Lucifer’s generals turned against his master and fought on the side of goodness. Details of this war were apparently suppressed by the Church, as was the fact that Adam was an angel and Eve a demon. These bold assertions are typical of the novel’s incredibly complex, often difficult-to-follow plot. As Edge grows up, he finds that many of his close friends have extraordinary powers, too, including the ability to teleport. This connection to friends with superpowers proves to be fortuitous, since Lucifer’s generals have returned to Earth to reclaim the scattered, mystical sources of their power. The underlying scenario has potential, but unfortunately, and for no clear reason, the novel is written like a play, with the action in brackets. With admirable consistency, this technique is sustained across hundreds of pages, although it doesn’t quite benefit the telling of the tale. The dialogue is perfunctory and trite—“Raven: I got a plan, and it’s an awesome plan!”—and the stage-direction rendering of the novel’s action tends to dampen the wonder of what could be spectacular scenes, especially Edge becoming an angel in heaven, the fights between angels and demons, and even a nuclear blast. The sketches of action struggle to leave an impression: “[The War Commandant leaves the office and gets into a helicopter that takes him to an unnamed building in a field of grass. He exits, enters the facility, and gets on an elevator that takes him a few floors down. The elevator opens into a room with a person strapped to a table with his arms and legs spread apart.]” Also, in the repetitive fight scenes, main characters call out their signature moves before executing them, as in a video game or anime—parallels young readers may or may not enjoy.
Difficult to read and understand; the presentation squashes an intriguing premise.Pub Date: June 7, 2011
ISBN: 978-1456767624
Page Count: 452
Publisher: AuthorHouse
Review Posted Online: Dec. 26, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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