Difficult to read and understand; the presentation squashes an intriguing premise.
This ambitious novel, written mostly in the form of a play, combines action, mythology, religion and anime.
Edge is an Asian-American teen from Brooklyn who, as a child, discovers he can harness heat energy and shoot fireballs. He possesses this power as the result of a war waged between Jehovah and Lucifer, in which one of Lucifer’s generals turned against his master and fought on the side of goodness. Details of this war were apparently suppressed by the Church, as was the fact that Adam was an angel and Eve a demon. These bold assertions are typical of the novel’s incredibly complex, often difficult-to-follow plot. As Edge grows up, he finds that many of his close friends have extraordinary powers, too, including the ability to teleport. This connection to friends with superpowers proves to be fortuitous, since Lucifer’s generals have returned to Earth to reclaim the scattered, mystical sources of their power. The underlying scenario has potential, but unfortunately, and for no clear reason, the novel is written like a play, with the action in brackets. With admirable consistency, this technique is sustained across hundreds of pages, although it doesn’t quite benefit the telling of the tale. The dialogue is perfunctory and trite—“Raven: I got a plan, and it’s an awesome plan!”—and the stage-direction rendering of the novel’s action tends to dampen the wonder of what could be spectacular scenes, especially Edge becoming an angel in heaven, the fights between angels and demons, and even a nuclear blast. The sketches of action struggle to leave an impression: “[The War Commandant leaves the office and gets into a helicopter that takes him to an unnamed building in a field of grass. He exits, enters the facility, and gets on an elevator that takes him a few floors down. The elevator opens into a room with a person strapped to a table with his arms and legs spread apart.]” Also, in the repetitive fight scenes, main characters call out their signature moves before executing them, as in a video game or anime—parallels young readers may or may not enjoy.
Difficult to read and understand; the presentation squashes an intriguing premise.Pub Date: June 7, 2011
ISBN: 978-1456767624
Page Count: 452
Publisher: AuthorHouse
Review Posted Online: Dec. 26, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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PERSPECTIVES
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