by Edie Colón & illustrated by Raúl Colón ‧ RELEASE DATE: Aug. 23, 2011
While it is hardly one-of-a-kind, it’s not a bad addition to immigration literature for this audience.
An immigrant tale builds on the author’s childhood experiences.
Six-year-old Gabriella and her parents leave Havana shortly after Castro’s takeover of Cuba and move to the Bronx. Adapting to life in a new country is daunting. After arriving in New York, Gabriella must adjust to vistas of city traffic instead of a beach scene outside her window, a new school, a new language and snow, something she’s never seen. Eventually, she makes friends, improves in English and awaits the day when her family will reunite with her beloved grandparents, still in Cuba: When that happens, her new house and new land truly feel like home again. The story is derived from the author’s own life and evokes tender memories, yet the narrator recounts her story in a flat and dispassionate voice and hurries events along. She also laces her reminiscences with Spanish words and sentences, which are translated immediately afterward in context, making for awkward pacing. The author wisely downplays politics in this picture book, but readers might enjoy learning more about Gabriella’s new experiences; for example, what was it like to play in snow for the first time? Fortunately for Gabriella and the author, she seems to have settled in easily and well. The true charm here is in the artwork, lushly rendered by Colón’s husband. His signature soft, muted watercolor-and-pencil style befits the nostalgic theme.
While it is hardly one-of-a-kind, it’s not a bad addition to immigration literature for this audience. (glossary, author’s note) (Picture book. 4-8)Pub Date: Aug. 23, 2011
ISBN: 978-1-4424-0674-2
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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