Next book

THE ENCYCLOPEDIA OF NEW YORK

Fans of the Big Apple will delight in this well-written, abundant and justly prideful collection.

From the pastrami sandwich to TV comedy and Santa’s reindeer, a compendium of New York’s countless contributions to world culture.

If it didn’t happen in the five boroughs, it didn’t happen. That is to say, to trust the editors of New York, “even figuring out what belonged in this book made us realize what an innovation engine New York City has been.” Their enthusiasm sometimes leads them into the land of the spurious—they attribute the bagel, or “beigel,” to a baker by that name when it comes from the Yiddish word for stirrup, though they allow that the former attribution “is questionable.” Still, given the richness of New York inventions, the mass-distributed bagel among them, one can forgive the rare slip made in the name of exuberance. Take pastrami, for example, a Turkish way of cooking meat that found its way to New York in an immigrant’s repertoire and was then presented to a grateful municipality, a cheap cut of beef brisket corned, “then dry rubbed with spices, then wood smoked, and then eaten, enthusiastically.” Who was that immigrant? No one knows, and just which deli began to sell pastrami is a matter of controversy—and now, write the editors, “the Jewish deli is an increasingly rare bird in New York City owing to high rents, changing demographics, and a sense that using rendered chicken fat as liberally as others deploy ketchup may not be the best thing for a person.” More certain is pizza, imported from southern Italy and first sold on Spring Street in 1905 by Gennaro Lombardi, and General Tso’s chicken, an import from Taiwan by way of New York’s Hunanese restaurants. Not all is food: The editors convincingly argue that everything from abstract expressionism and the auteur theory to punk rock, Q-Tips, the teddy bear, toilet paper (and the urinal), and zoning regulations owes its origins to the five boroughs.

Fans of the Big Apple will delight in this well-written, abundant and justly prideful collection.

Pub Date: Oct. 20, 2020

ISBN: 978-1-5011-6695-2

Page Count: 368

Publisher: Avid Reader Press

Review Posted Online: Sept. 8, 2020

Kirkus Reviews Issue: Oct. 1, 2020

Next book

STAND

A hopeful civic sermon favoring inspiration over concrete prescriptions.

A New Jersey senator’s moral manifesto.

Booker situates his narrative in the wake of his 2025 record-breaking 25-hour stand on the Senate floor, an act of physical endurance and moral insistence that serves as its animating example. Though not framed as memoir, the episode implicitly positions Booker himself as a model of the virtues he argues are essential to democratic life. Organized around 10 qualities, including agency, vulnerability, truth, perseverance, and grace, the book advances a clear thesis. “In this book, I argue that many Americans who came before us, and many among us today, have consistently proven that virtues are practical: They expand our power, deepen our sense of belonging, and equip us to endure and ultimately prevail.” Booker illustrates this claim through figures such as the late U.S. Rep. John Lewis, whose willingness to endure sacrifice for principle anchors the book’s moral lineage, and Supreme Court Justice Ketanji Brown Jackson, whose composure under public scrutiny is presented as an example of dignity as civic strength. These portraits reinforce Booker’s belief that character, sustained over time, can shape public life, even when political outcomes remain uncertain or incomplete. He supplements these examples with personal stories drawn from family, faith, and community, delivered with emotional conviction and a tone that remains affirming and carefully calibrated. Much of the narrative reads like an expansive commencement address, earnest and reassuring, offering moral affirmation at moments when readers might reasonably expect sharper confrontation. That rhetorical choice ultimately defines the book’s limits. Booker acknowledges political conflict and compromise, but rarely examines them in depth, and while urging leaders to take moral risks, he avoids sustained reflection on how some of his own political decisions have tested the virtues he promotes. The result is a principled but self-conscious work that affirms shared values while offering little guidance for navigating power and accountability.

A hopeful civic sermon favoring inspiration over concrete prescriptions.

Pub Date: March 24, 2026

ISBN: 9781250436733

Page Count: 272

Publisher: St. Martin's

Review Posted Online: March 24, 2026

Kirkus Reviews Issue: March 15, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 162


Our Verdict

  • Our Verdict
  • GET IT


  • IndieBound Bestseller

Next book

A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Awards & Accolades

Likes

  • Readers Vote
  • 162


Our Verdict

  • Our Verdict
  • GET IT


  • IndieBound Bestseller

The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

Close Quickview