An intimate, engrossing, rough-and-tumble look at what can be gleaned from life.
A semiautobiographical novel covers one man’s long path to maturity.
Frank presents the story of Jeff Williams. At the outset of the book, the year is 1992, and Jeff, 45, is in the ICU. More about why Jeff is in the hospital is revealed later in the tale. The important thing at this point is that Jeff’s dire circumstances allow him to develop a personal relationship with Death. “Big D,” as Jeff casually refers to him, has much to share. As Jeff tells his story, beginning with his fraught childhood in Utah, Big D chimes in at the end of every chapter with advice to impart. This is usually geared toward taking responsibility for one’s life. Concepts include “You are the creator of your life,” and “There is nothing in your life that didn’t consciously, or unconsciously, require YOU for it to be there.” Whether it is the uncaring atmosphere Jeff experiences in an orphanage or his tumultuous time in the Army, there is extensive material for the protagonist and Big D to examine. Jeff’s tale is a distinct one. He recounts that he was adopted, lived in a number of rugged places (like Fry Canyon, Utah, and New South Wales, Australia), and although drafted into the military during the Vietnam War, he spent a great deal of his service time in South Korea. It is in these unexpected, highly personal details that the book is most engaging. Readers are given an account of issues such as why American soldiers are advised not to marry local South Korean women while serving abroad (though many, including Jeff, do anyway). Later portions are not always as memorable. For instance, Jeff explains complications at different jobs (a bad manager here, pay schedule changes there) that, while relatable, do not as fully capture the imagination the way something like being on red alert near the DMZ does. Yet the conversations with a personification of death lend an intriguing element to the narrative. The author is not simply recollecting through Jeff, he is also analyzing and learning. The opinions expressed ultimately come with a lifetime of experiences to back them up.
An intimate, engrossing, rough-and-tumble look at what can be gleaned from life.Pub Date: May 15, 2020
ISBN: 978-1-73-483670-7
Page Count: 216
Publisher: Self
Review Posted Online: June 3, 2021
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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