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MIAMI, IT'S MURDER

Not just murder, but rape, too, as Cuban-American Miami Daily News staffer Britt Montero (Nobody Lives Forever, 1990; Contents Under Pressure, 1992), on the trail of the Downtown Rapist who's attacked half a dozen women in public restrooms, provokes him into sending her illiterate threatening letters and a cow's severed tongue (a Santer°a curse, according to her Aunt Odalys) before her inevitable trip to the ladies' room. In the meantime, the corpses keep on coming: three-times ``self-made widower'' Dieter Steiner gets electrocuted—whizzed to death, actually—Emerson Creech, long suspected of killing his niece, is a victim of sexual asphyxia; Paul Eldridge, missing since 1987, turns up inside his submerged Chevy Malibu; and contractor Sam Farrington nearly becomes a permanent fixture in his latest project. All this, plus Britt's frustrated determination to reopen the decades- old case of little Mary Beth Rafferty, whose body was discovered by a suspect whose name was never revealed—and who's now the heavy favorite to be elected governor. As many loose ends as you'd expect from such a full slate; but peerless crime reporter Buchanan lays out the main plotlines with a master's hand, never forgets that her magnetic reporter-heroine is her biggest story, and swirls the high-octane cocktail with a zillion anecdotes, most of them zingers.

Pub Date: Feb. 3, 1994

ISBN: 1-56282-802-9

Page Count: 288

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1993

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FLESH AND BLOOD

No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.

Happy birthday, Dr. Kay Scarpetta. But no Florida vacation for you and your husband, FBI profiler Benton Wesley—not because President Barack Obama is visiting Cambridge, but because a deranged sniper has come to town.

Shortly after everyone’s favorite forensic pathologist (Dust, 2013, etc.) receives a sinister email from a correspondent dubbed Copperhead, she goes outside to find seven pennies—all polished, all turned heads-up, all dated 1981—on her garden wall. Clearly there’s trouble afoot, though she’s not sure what form it will take until five minutes later, when a call from her old friend and former employee Pete Marino, now a detective with the Cambridge Police, summons her to the scene of a shooting. Jamal Nari was a high school music teacher who became a minor celebrity when his name was mistakenly placed on a terrorist watch list; he claimed government persecution, and he ended up having a beer with the president. Now he’s in the news for quite a different reason. Bizarrely, the first tweets announcing his death seem to have preceded it by 45 minutes. And Leo Gantz, a student at Nari’s school, has confessed to his murder, even though he couldn’t possibly have done it. But these complications are only the prelude to a banquet of homicide past and present, as Scarpetta and Marino realize when they link Nari’s murder to a series of killings in New Jersey. For a while, the peripheral presence of the president makes you wonder if this will be the case that finally takes the primary focus off the investigator’s private life. But most of the characters are members of Scarpetta’s entourage, the main conflicts involve infighting among the regulars, and the killer turns out to be a familiar nemesis Scarpetta thought she’d left for dead several installments back. As if.

No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.

Pub Date: Nov. 11, 2014

ISBN: 978-0-06-232534-1

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: July 22, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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GONE GIRL

One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are...

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  • New York Times Bestseller

A perfect wife’s disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death.

Even after they lost their jobs as magazine writers and he uprooted her from New York and spirited her off to his childhood home in North Carthage, Mo., where his ailing parents suddenly needed him at their side, Nick Dunne still acted as if everything were fine between him and his wife, Amy. His sister Margo, who’d gone partners with him on a local bar, never suspected that the marriage was fraying, and certainly never knew that Nick, who’d buried his mother and largely ducked his responsibilities to his father, stricken with Alzheimer’s, had taken one of his graduate students as a mistress. That’s because Nick and Amy were both so good at playing Mr. and Ms. Right for their audience. But that all changes the morning of their fifth anniversary when Amy vanishes with every indication of foul play. Partly because the evidence against him looks so bleak, partly because he’s so bad at communicating grief, partly because he doesn’t feel all that grief-stricken to begin with, the tide begins to turn against Nick. Neighbors who’d been eager to join the police in the search for Amy begin to gossip about him. Female talk-show hosts inveigh against him. The questions from Detective Rhonda Boney and Detective Jim Gilpin get sharper and sharper. Even Nick has to acknowledge that he hasn’t come close to being the husband he liked to think he was. But does that mean he deserves to get tagged as his wife’s killer? Interspersing the mystery of Amy’s disappearance with flashbacks from her diary, Flynn (Dark Places, 2009, etc.) shows the marriage lumbering toward collapse—and prepares the first of several foreseeable but highly effective twists.

One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.

Pub Date: June 5, 2012

ISBN: 978-0-307-58836-4

Page Count: 432

Publisher: Crown

Review Posted Online: April 22, 2012

Kirkus Reviews Issue: May 1, 2012

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