No question—a large fraction of parents and teachers will be reaching for this.
Not only tackling fractions, but simplifying them, this fills a need and thoroughly entertains.
George Cornelius Factor (G.C.F., get it?) collects fractions. But he’s not alone: Baron von Mathematik and Madame de Géométrique also covet the 5/8 that is newly up for auction. But the nefarious Dr. Brok, a master of disguise, steals it. He “can take a 1/2 and turn it into a 2/4 or a 3/6. It’s still the same fraction, but it looks different.” George won’t be deterred. He invents a Reducer—half ray gun, half calculator—that zaps fractions into their lowest terms and goes to Dr. Brok’s mansion to confront him and find the 5/8. A clever bit of detective work and a rousing action sequence later, and the 5/8 is back to its lowest terms and part of George’s collection. Throughout, Einhorn finds ways to humorously add fractions to his tale—the fraction lovers bid portions of $1 million, and Brok’s mansion is 1/10 of a mile tall—and painlessly describes the process of reducing them to their lowest terms. Backmatter summarizes the learning, though not as simply as the text. Clark’s ink-and-watercolor illustrations truly make the characters’ personalities shine. Dr. Brok looks something like professor Hinkle of Frosty the Snowman fame, while the pages simply ooze with the aura of a great mystery.
No question—a large fraction of parents and teachers will be reaching for this. (Math picture book. 7-10)Pub Date: March 25, 2014
ISBN: 978-1-57091-773-8
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
A visit to “any museum with portraits” would be time better spent.
Horizontally split pages encourage young appreciators of art to mix and match facial features of 10 classic portraits.
Printed on heavy stock and arranged in no apparent order, the paintings—and the one Japanese woodblock print—are all close-ups that are adjusted for size so that George Washington’s jaw will (more or less) fit the Mona Lisa’s nose beneath the brow of, say, Vincent Van Gogh or Frida Kahlo. Arcimboldo’s fruit-and-veggie Vertumnus, the Japanese actor Sawamura Sojuro III, and African-American entrepreneur Edna Powell Gayle add at least a bit of diversity to the exhibit’s subjects. Stylistically, though, there is a lack of strong visual contrast. Viewers who flip the parts back and forth are likely to be equally unexcited by Lach’s bland commentary opposite: “My cheeks are of apples, my nose is a pear” notes Vertumnus self-evidently. The gloss in Gayle’s voice is positively vapid: “I run a Chicago art gallery, and my elegant hairstyle is perfect for my job.” And, alas, so is Frida Kahlo’s: “I am an artist. My elaborate hairstyle shows my love of Mexico.” Along with further information about each work and its creator at the end, the author offers a few desperate ideas for activities, such as visiting the originals or “any museum with portraits.”
A visit to “any museum with portraits” would be time better spent. (Novelty. 7-10)Pub Date: Oct. 11, 2016
ISBN: 978-0-7892-1274-0
Page Count: 28
Publisher: Abbeville Kids
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Dec. 1, 2016
An artistic showcase that also serves as a teaser for a once-popular, and not entirely dated, children’s classic.
Intricate cut-paper overlays highlight the art that accompanies this abbreviated version of the travels of a peripatetic young Swede.
Being much abridged and a bit modernized (“ ‘Weird-looking bird!’ said the fisherman, tying him up and placing him in a basket”), these 22 recast chapters from the 1906 story and its sequel, Further Adventures of Nils, read as a series of partially sketched incidents with abrupt transitions. Still, the overall plot, which features a trickster lad who is transformed into an elf and flies all over Sweden on the backs of birds, remains intact, and the narrative captures the flavor of the originals, strewn with place names—Lagerlöf was commissioned to write the works as geography lessons—and narrow escapes from danger. Latyk’s illustrations look like retro screen prints, with thin layers of blue and pink the predominant colors and small, stylized figures placed against misty backdrops. On five spreads, wordless expanses of landscape flank black stencils pierced with the outlines of finely detailed buildings, creatures, and natural details (a sixth cutting fills a large window in the cover). The relationship of these special pages to the tale is, at best, tangential, but they do add a memorable element to the presentation.
An artistic showcase that also serves as a teaser for a once-popular, and not entirely dated, children’s classic. (map) (Fiction. 7-9)Pub Date: Feb. 1, 2017
ISBN: 978-1-91027-719-5
Page Count: 64
Publisher: Words & Pictures
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
BOOK REVIEW
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