A sci-fi saga of an alien world, recounting its wars, its near-destruction and its risky restoration.
Fans of such whimsical fantasy settings as Piers Anthony’s Xanth or Terry Pratchett’s Discworld may be equally impressed by Fisher’s audacious creation. Inchoate is a planet made of dark matter that occupies a point in space inside the Earth but that’s slightly out of phase in time. As a result, the two independent, evolving environments don’t (normally) interact. Inhabitants of Inchoate are one-sixth the size of Homo sapiens, with a quasi-feudal social structure, advanced technology, and a penchant for befriending talking animals such as jackalopes, rats, dogs and spiders. Successive, advanced alien races have visited Inchoate and used it as a key station in their intergalactic teleportation network. This inspires an act of wartime sabotage that causes Inchoate to be accidentally transmitted several light years away; its people awaken from long-term suspended animation to find themselves in a double-star system in Sirius, where they rebuild over the next thousand years. Fisher further stirs the pot by telling his three-part tale out of chronological order, starting in the middle, proceeding to the prologue and then reaching the finale. The major connecting thread between them is the resourceful troubleshooter Naksarben, aka John Narrowpath, aka Brother Nathan, who weaves his way through palace intrigues and virtuous secret operations against tyrants who rely on religious fundamentalism and militarism to gain power. A final, twist ending about the character’s true origin is a head-scratcher, but by then, readers will have bought into the novel’s blend of quantum mechanics and fairy tale. The author, who also contributes scattered maps, diagrams and illustrations, is a master punster, offering character names such as Hans Pholde, Shellson Carapace, a philosophy professor named Eponymous Muser, a scientist and professor named Prudence DeCysseve, a librarian called Reed Tomes, an order called the Monastery of the Inevitable Whens and a capital city dubbed Distopia.
A fetching, seriocomic fantasy of faith, politics, science and death that never succumbs to cuteness.
Pub Date: July 22, 2010
ISBN: 978-1453519615
Page Count: 428
Publisher: Xlibris
Review Posted Online: Oct. 31, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
