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Oscar the Osprey

THE BIRD WHO WAS AFRAID OF HEIGHTS

A sympathetic hero, engaging illustrations, and a strong message make this book a must-have for families, schools, and...

In Polansky’s debut book for young readers, ospreys are kings of the air. So what happens to a young osprey who’s afraid to fly?

This book tells the story of young Oscar the osprey from the very first moments of his life (“it took a while before I could see anything without squinting,” he says). While still a chick, he has the traumatic experience of almost falling out of his nest, and from that moment on, he grapples with crippling anxiety about heights—a serious handicap for a creature designed to fly in order to fish, migrate, and make his home in trees. Necessity is the mother of invention, so Oscar methodologically figures out how to live life with his disability and how to survive mostly alone when the other ospreys migrate south for the winter. The book is divided into chapters, and although they’re unnumbered and there’s no table of contents, it has the slimness and large pages of a picture book. It also has copious illustrations by Rosow, whose expressive line drawings are wonderfully reminiscent of both Jules Feiffer and Shel Silverstein. The book’s format may prove confounding for readers, or the parents of readers, seeking books for specific reading levels. However, its refusal to fit into neat categories is characteristic of its protagonist. In the end, this isn’t a story about Oscar forcing himself to change in order to fit into the way the world works. Rather than triumphing in a predictable way over his limitations, Oscar intriguingly learns to adapt to them and even turn them into strengths. He finds that his unique perspective gives him special abilities that are valued by his family and friends: “I never could fly above a low level without squinting….One thing was certain though; at a low level, I was the best there was.”

A sympathetic hero, engaging illustrations, and a strong message make this book a must-have for families, schools, and communities with differently abled kids. 

Pub Date: June 2, 2015

ISBN: 978-1-5049-1010-1

Page Count: 48

Publisher: AuthorHouse

Review Posted Online: Aug. 31, 2015

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COAT OF MANY COLORS

In her first children's book, Parton (the country music star) turns one of her songs into a saccharine tale about a girl who is so poor that her mama has to sew her a patchwork coat when the weather turns cold. (Joseph and his coat of many colors are mentioned but never explained.) Despite the girl's love for her coat, she is teased in school, which she counters by trying to explain to her classmates ``that one is only poor/if they choose to be.'' The logic here is as flawed as the grammar, and Sutton's illustrations, while competent, show a well-dressed, happy rural family who look anything but poor. The text is both clumsy and irrelevent (it ends with ``Through life I've remained happy/and good luck is on my side./I have everything that anyone/could ever want from life.'') An apparently autobiographical song that has a hard time standing on its own as a compelling children's story. (Picture book. All ages)

Pub Date: Sept. 30, 1994

ISBN: 0-06-023413-X

Page Count: 32

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1994

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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