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THE ORIGINS OF CREATIVITY

A concise, thoughtful exploration of how human understanding will be enhanced by “a humanistic science and a scientific...

Two-time Pulitzer Prize winner Wilson (Emeritus, Evolutionary Biology/Harvard Univ.; Half-Earth: Our Planet’s Fight for Life, 2016, etc.) offers a philosophical examination into “the mystery of why there are universal creative arts.”

The author’s answer exemplifies an alliance between science and the humanities that he champions throughout the book. Such a blending, he maintains, could “reinvigorate philosophy and begin a new, more endurable Enlightenment.” Wilson identifies five fields of research where this blending can be especially fertile: paleontology, anthropology, psychology, evolutionary biology, and neurobiology. These fields may allow “the full meaning of the humanities” to emerge by helping the humanities overcome their shortcomings: “they are rootless in their explanations of causation and they exist within a bubble of sensory experience.” The big five fields are united by a “common thread” of belief in the crucial importance of natural selection. “Nothing in science and the humanities makes sense except in the light of evolution,” Wilson quotes a geneticist, including the existence of creativity. The author sees language as “the greatest evolutionary advance,” setting Homo sapiens apart from other species: “Without the invention of language we would have remained animals. Without metaphors we would still be savages.” Early Homo sapiens had a larger brain than their ancestors, providing “larger memory, leading to the construction of internal storytelling” and “true language,” which in turn gave rise to “our unprecedented creativity and culture.” That rapid transformation “was driven by a unique mode of evolution, called gene-culture coevolution,” in which cultural innovation and genes favoring intelligence and cooperation occurred “in reciprocity.” Wilson’s writing is at its most luminous when describing the “chitinous armor” and glistening bodies of ants—“one of the most beautiful animals in the world”—to which he has devoted much of his career. His more abstract analysis, though sometimes repetitious, is nevertheless salient.

A concise, thoughtful exploration of how human understanding will be enhanced by “a humanistic science and a scientific humanities.”

Pub Date: Oct. 3, 2017

ISBN: 978-1-63149-318-8

Page Count: 256

Publisher: Liveright/Norton

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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THE LAWS OF HUMAN NATURE

The Stoics did much better with the much shorter Enchiridion.

A follow-on to the author’s garbled but popular 48 Laws of Power, promising that readers will learn how to win friends and influence people, to say nothing of outfoxing all those “toxic types” out in the world.

Greene (Mastery, 2012, etc.) begins with a big sell, averring that his book “is designed to immerse you in all aspects of human behavior and illuminate its root causes.” To gauge by this fat compendium, human behavior is mostly rotten, a presumption that fits with the author’s neo-Machiavellian program of self-validation and eventual strategic supremacy. The author works to formula: First, state a “law,” such as “confront your dark side” or “know your limits,” the latter of which seems pale compared to the Delphic oracle’s “nothing in excess.” Next, elaborate on that law with what might seem to be as plain as day: “Losing contact with reality, we make irrational decisions. That is why our success often does not last.” One imagines there might be other reasons for the evanescence of glory, but there you go. Finally, spin out a long tutelary yarn, seemingly the longer the better, to shore up the truism—in this case, the cometary rise and fall of one-time Disney CEO Michael Eisner, with the warning, “his fate could easily be yours, albeit most likely on a smaller scale,” which ranks right up there with the fortuneteller’s “I sense that someone you know has died" in orders of probability. It’s enough to inspire a new law: Beware of those who spend too much time telling you what you already know, even when it’s dressed up in fresh-sounding terms. “Continually mix the visceral with the analytic” is the language of a consultant’s report, more important-sounding than “go with your gut but use your head, too.”

The Stoics did much better with the much shorter Enchiridion.

Pub Date: Oct. 23, 2018

ISBN: 978-0-525-42814-5

Page Count: 580

Publisher: Viking

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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MASTERY

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...

Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.

The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.

Pub Date: Nov. 13, 2012

ISBN: 978-0-670-02496-4

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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