by Edward Shorter ‧ RELEASE DATE: Jan. 24, 1997
An opinionated, anecdote-rich history of a branch of medicine strongly shaped by culture. Canadian physician and medical historian Shorter (Univ. of Toronto) begins his lively account by describing the horrific treatment of the mentally ill before the advent of the custodial asylum. It was, he says, the discovery that asylums could have a therapeutic role that led to the birth of psychiatry at the end of the 18th century. Shorter examines the failure of the therapeutic asylum movement, attributing it largely to an overwhelming number of inmates in the 19th century. Always divided by two visions of mental illness, one finding its origins in the biology of the brain and the other looking to psychosocial factors, psychiatry was dominated by the biological view throughout the 19th century. Shorter presents the German physician Emil Kraepelin, who revolutionized the approach to categorizing and diagnosing mental illnesses, as the central figure in ending the sway of biological psychiatry. As for Freud, says Shorter, ``His doctrine of psychoanalysis, based on intuitive leaps of fantasy, did not stand the test of time.'' Citing studies indicating that the majority of American psychoanalysts and their patients were Jewish, the author links the growing social assimilation of Jews (and their abandonment of their ``encapsulated little subculture'') with the post-'60s decline in popularity of psychoanalysis—a theory sure to arouse controversy. Shorter chronicles the discovery of the various drugs that formed the pharmacological basis of the new biological psychiatry and hails the alliance of psychiatrists with geneticists, biochemists, and other scientists that has brought the scientific method to the investigation of mental illness. Where does psychiatry go from here? Shorter predicts a combination of the neuroscientific and the psychotherapeutic, that is, a blend of ``neurochem'' and ``neurochat.'' While psychiatrists may quibble and Freudians and other psychoanalysts will surely squawk, those without a vested interest will be thoroughly entertained and certainly enlightened.
Pub Date: Jan. 24, 1997
ISBN: 0-471-15749-X
Page Count: 448
Publisher: Wiley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1996
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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