Moving essays on Haiti, literature, and life’s vicissitudes.
The acclaimed author discusses influential authors, her native Haiti, and the challenges of life in America.
Danticat begins this short but powerful collection of essays by quoting Haitian-born poet Roland Chassagne. The cited work includes the phrase the author chose for her title. “We’re alone is the persistent chorus of the deserted, as in no one is coming to save us,” she writes. “Yet, we’re alone can also be a promise writers make to their readers, a reminder of this singular intimacy between us. At least we’re alone together.” In 1963, Chassagne was taken to dictator “Papa Doc” Duvalier and disappeared. His experience encapsulates the two themes around which Danticat groups these essays, the first devoted to writers who have influenced her and the second focusing on Haiti. In these pieces, the author chronicles the memories conjured by a 2018 visit for the opening of a new library; her Miami speech in which she advocated for prolonged protected status for Haitians displaced by hurricanes; the influence on her life and writing of such authors as Lorraine Hansberry, Audre Lorde, and Toni Morrison, the last of whom “turned pain into flesh and brought spirits to life”; her terror upon arriving at a Miami shopping mall during a mass shooting that turned out to be a hoax; and the frightening activities of a Haiti gang known as 400 Mawozo, which kidnapped 17 missionaries in 2021. This collection, like many, has a grab bag quality to it; the pieces don’t cohere as well as they should. Still, the author offers an elegant commentary on injustice and the mixed feelings one’s home can engender. As Danticat writes, “things sometimes go differently than planned or hoped for, and though home can be a safe place, we shouldn’t always rush back there.”
Moving essays on Haiti, literature, and life’s vicissitudes.Pub Date: Sept. 3, 2024
ISBN: 9781644453025
Page Count: 160
Publisher: Graywolf
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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