Danticat takes on an unpleasant topic with sensitivity and passion.

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THE ART OF DEATH

WRITING THE FINAL STORY

A guide to writing—and reading—about death.

National Book Critics Circle Award winner Danticat (Claire of the Sea Light, 2013, etc.) adds to “The Art of” series with this work on how writers approach the topics of death and dying. Though the book is slim, it is overarching and broad in scope. Drawing on an array of writers, Danticat presents a wide range of approaches to death, including her own. Having written extensively about her mother’s death, for which she was present, the author lends a deeply personal touch to this study. She truly finds her stride after first surrounding readers with the almost impossible depth of her topic. Though not tied to a structure, Danticat explores the varieties of death and how each one is approached by writers. Suicide, execution, natural death, and accidental death all receive attention. Collective deaths also play a role, especially 9/11 and the Haitian earthquake of 2010. The author also examines suicide through the works of writers as diverse as Tolstoy, Faulkner, Albert Camus, Dylan Thomas, Zora Neale Hurston, Christopher Hitchens, and Toni Morrison. For executions, she shares the wisdom of Mumia Abu-Jamal, a death row inmate. Regarding death as an all-encompassing end to life, she smartly draws from Gabriel García Márquez. Most movingly, Danticat brings her audience into the very private realm of her own mother’s death from cancer. She writes of the tests, the diagnosis, the decline, and the final hours and moments as her mother slipped away. Though faith and fear both come up in this book, they are not highlighted. This work is more about how death is described in literature, and the author asks if we really can describe it adequately at all.

Danticat takes on an unpleasant topic with sensitivity and passion.

Pub Date: July 11, 2017

ISBN: 978-1-55597-777-1

Page Count: 180

Publisher: Graywolf

Review Posted Online: May 16, 2017

Kirkus Reviews Issue: June 1, 2017

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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