by Edwin Frank ‧ RELEASE DATE: Nov. 19, 2024
Academic yet accessible, with special appeal to avid readers of classic lit.
A history of the 20th-century novel that examines, contextualizes, and draws connections among work by more than 30 authors.
Frank, editorial director of New York Review Books, presents his essays in three parts, chronologically ordered. The text, he notes, is a working example of “descriptive criticism, as practiced by such critics as Clement Greenberg, Randall Jarrell, Pauline Kael, Elizabeth Hardwick, and Greil Marcus.” Following a preface about Dostoyevsky’s Notes From Underground (1864), which “resembles nothing so much as a swept-up heap of broken glass,” the first section encompasses works from the last few decades of the 1900s through the end of World War I, including titles by Wells, Proust, Joyce, and Thomas Mann, whose book The Magic Mountain (1924) Frank deems “a new form of the twentieth-century novel, a form born of the war whose new significance could only be fully appreciated after the war.” The middle, beginning with Mrs. Dalloway, covers a “period of astonishing invention.” In the final section, the author examines the novels of the mid- to late 1900s, from Things Fall Apart to One Hundred Years of Solitude and beyond. Frank is a dogged enthusiast whose optimism almost always wins out, often for reasons related to positive emotions. Writing about Kafka’s Amerika, for example, he comments, “The book is one ongoing disaster, yet much of it is oddly cheery in tone.” Frank’s curiosity and scope are both admirable, and his prose style is consistently punchy, despite some repetition—e.g., “Kipling was a restless man”; “Thomas Mann…is a restless man”; D.H. Lawrence was the “most restless of writers.” The most controversial thing about this book may be the appeal that it makes for its own existence. While it may strike some as gratuitous, devoted literature fans of canonical literature will relish it.
Academic yet accessible, with special appeal to avid readers of classic lit.Pub Date: Nov. 19, 2024
ISBN: 9780374270964
Page Count: 480
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 10, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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by Kristen Kish ‧ RELEASE DATE: April 22, 2025
Top Chef fans might savor this detailed account, but others will find it bland.
The Top Chef host describes her journey to new heights.
For those who don’t know, Kish is a “gay Korean adopted woman, born in Seoul, raised in Michigan” and “a chef, a character, a host, and a cultural communicator—as well as a human being with a beating heart.” Though this book covers every step of her journey, every restaurant job and television role, and also discusses her experience as an adoptee (very positive) and a queer woman (late bloomer), the storytelling is so straightforward, lacking in suspense, character development, or dialogue, that it is basically a long version of its (longish) “About the Author.” Seemingly dramatic situations are not dramatized—when she was eliminated on her first Top Chef run, she assures us that she did the best she could, and drops it. “I can spare you the gory details (bouillabaisse and big personalities were involved).” Later, she cites a belief in protecting the privacy of others to omit the story of her first relationship with a woman. With no character development, neither does the reader get to know those who fall outside the privacy zone, like her best friend, Steph, and her wife, Bianca. When she gets mad, she says things like, “It’s a gross understatement to say I was crushed, beyond frustrated, and furious with the situation.” The fact that “I’ve never been a big reader” does not come as a surprise. It is more surprising when she confesses that “I believe the universe is selective about the moments in which it introduces life-changing prospects.”
Top Chef fans might savor this detailed account, but others will find it bland.Pub Date: April 22, 2025
ISBN: 9780316580915
Page Count: 368
Publisher: Little, Brown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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