A rousing trio of women anchors this potent tale about class and race.
In this contemporary urban novella, three Black women of varying skin tones struggle with violence and romantic dissatisfaction in Southern California.
Dorch’s brisk tale follows the lives of three women whose skin color and choices begin to subtly dictate their career and social life trajectories. Sonnie Black, a spirited Los Angeles child welfare social worker, is mentoring new employee Denice Gray on her human services cases. Both women have interactions with Tyrone Wilson, an arrogant, intimidating, and manipulating court reporter in the office who is “the color of blackberries.” Sonnie defiantly challenges Tyrone about his demeaning behavior and brings him to her church services. Despite Sonnie being unhappily single, she is hesitant to begin another relationship after a disastrous interlude with an English professor in her master’s degree program a few years prior. Done with Tyrone, Sonnie is immediately smitten with Denice’s brother, Howard, a local politician with a “massive blond afro, green eyes, and olive skin,” but she still has unresolved trust issues. When Tyrone violates Denice after a night out and then blackmails her, the story shifts into high gear. The melodrama with Tyrone could jeopardize Denice’s romantic future with a junior pastor. Meanwhile, Lisa Steel, one of Sonnie’s more challenging welfare cases, seems disinterested in getting a job because of her family ties to a dangerous Colombian drug dealer. These women bring Dorch’s narrative to vibrant life. They lean on their Christian belief systems for guidance, making the story particularly appealing to religious readers. From a racial perspective, the tale is primarily concerned with themes of “colorism,” which is considered a form of prejudice and discrimination occurring within and outside of an ethnic community. In the book’s preface, the author—an artist and psychologist—remarks that this can have drastic social implications and determine “who gets ahead, who gets convicted, and who gets elected,” and it “influences health, wealth, and opportunities for success.” Through her dynamic collection of characters, Dorch illustrates and illuminates this pernicious societal ill, and in a gratifying ending, her characters grow to realize their strengths and worthiness.
A rousing trio of women anchors this potent tale about class and race.Pub Date: June 28, 2022
ISBN: 978-1-66323-405-6
Page Count: 102
Publisher: iUniverse
Review Posted Online: Sept. 28, 2022
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.
A diverting midlife story plucks at the secrets good people carry to the grave.
As a reader, Artie Dam—the protagonist of Strout’s 11th book—encounters Olive Kitteridge, “a crotchety old woman from Maine” and Strout’s most celebrated fictional character. Artie picked up the Pulitzer-anointed book centered on Olive after his wife, Evie, loved it, “oh, years ago now.” Strout is having a bit of fun—that “oh” is a trademark—even though she marbles her latest novel with marital infidelity, political anxiety, and suicide. Indeed, it is the fact that Olive’s father died by suicide that Artie, 57 and gaining a paunch, recalls now in his own dismalness. As the story begins, he is pondering the most discreet way to die, despite having been Massachusetts’ Teacher of the Year five years earlier. Artie seems the inverse of irascible Olive: beloved by his students; by his grown son, Rob; and by the English teacher, Anne, who quietly pines for him. But like Olive, Artie has distressing impulses—he steals a comb, then some expensive shirts. Much of the text bobs along on Artie’s stocktaking memories, chunked out in short, occasionally abrupt paragraphs. Strout’s storytelling is thinning a bit, like middle-aged hair. Then, midbook, she clobbers Artie with a brutal existential shock. In its wake, Strout surfs the nature of loneliness, corrosive secrets, and the convulsions of the 2024 presidential election. Hers is an unremittingly Blue State book, although Artie has one friend who, unbeknownst to him, supported Donald Trump. On the day after the election, Artie somberly concludes that his “country was committing suicide.” This is the first novel in which Strout entirely vacates Maine for another setting. But she sticks with Artie and, on the final pages, delivers him a satisfying finale.
Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.Pub Date: May 5, 2026
ISBN: 9798217154746
Page Count: 224
Publisher: Random House
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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