City Angel, an urban, updated patron saint, hovers above the city skyline, intervening to make good things happen: petting the baker’s kitchen cat, planting seeds in a vacant lot, soothing a cranky child, assisting a firefighter and a homeless man, helping the player make the basket in the corner game, and having some fun herself, cruising on a skateboard. From morning ’til night, City Angel flies through the painterly landscape, practicing “random acts of kindness” towards its racially diverse inhabitants. Collage-and-oil illustrations are the focus of this work. The curving, tilting, twisting, intersecting forms and figures create a vibrant, rhythmic view of the angel’s intervention. Illustrations aside, will the rhyming text engage a younger reader enough to comprehend the simultaneous, unrelated events connected by the whimsical acts of this urban angel? Hard to tell, but Brooker’s pictures are wonderful. (Picture book. 4-8)
Pub Date: Jan. 1, 2005
ISBN: 0-8037-2821-2
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 15, 2004
Categories: CHILDREN'S RELIGIOUS FICTION
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The Berenstains’ son adds a Mother’s Day entry to the series, continuing the adventures of the Bear family with a religious focus.
Brother, Sister, and Honey want to do something special for Mama for Mother’s Day, and Papa helps them think of just the thing—brunch at the Bear Country Inn after church—and they can invite Grizzly Gran, too. On the ride to church, Mama points out all the ways other families are celebrating their own mothers even though these community helpers are working on the holiday: Officer Marguerite’s children bring her flowers as she directs traffic, and Mrs. Ben’s children are pitching in with farm chores. Indeed, the trip to church is eye-opening for the cubs, who never realized that some of their neighbors even had children. During the church service, Preacher Brown thanks God for the gift of mothers and quotes the Bible: “Your mother was like a vine in your vineyard planted by the water; it was fruitful and full of branches.” While the illustrations are the same as ever (the smiling bears haven’t aged a bit!), the series seems to have moved away from addressing a variety of families.
This Mother’s Day tale is rather limited in its audience to those who can afford fancy brunch after their own religious services, contrary to its apparent message that being together is all that matters. (Picture book. 4-7)Pub Date: March 1, 2016
ISBN: 978-0-310-74869-4
Page Count: 24
Publisher: Zonderkidz
Review Posted Online: March 16, 2016
Kirkus Reviews Issue: April 1, 2016
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: March 2, 2021
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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SEEN & HEARD
Nelson uses the old spiritual—offered here, astonishingly, in its first singleton, illustrated edition, though it’s available in many collections—as a springboard to celebrate family togetherness. Each line of a four-verse version of the lyric captions an intimate scene of an African-American lad, three sibs (one, lighter-skinned, perhaps adopted) and two parents in various combinations, posing together in both city (San Francisco) and country settings, sharing “the moon and the stars,” “the wind and the clouds,” “the oceans and the seas,” and so on. Sandwiched between views of, more or less, the whole world, Nelson alternates finished paintings in his characteristic strong, bold style with authentically childlike crayon drawings done with his left hand—demonstrating a superb ability to evoke both grand and naïve effects. Moving, reverent, spiritual indeed. (musical arrangement to close) (Picture book. 5-7)
Pub Date: Sept. 1, 2005
ISBN: 978-0-8037-2850-9
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 1, 2005
Categories: CHILDREN'S RELIGIOUS FICTION
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