Despite inherently child-friendly subject matter, a nonstarter.
A hodgepodge roundup of celebrity canines.
This is a rather meager offering from Spinelli, nor has Valério’s artwork much character, though it is decidedly high spirited and gay. Readers are engaged very briefly about whether or not they have a dog—“Do you have a dog?... Does a dog have you?”—but the meat and potatoes of the book are dogs of the famous. And by far the most interesting material is found in the end papers, where Spinelli has introduced the 11 historical figures with their dogs. It is the pages in between that are often less than beguiling. “Iggy—who kept Byrd warm, / a comfort in Antarctic storm. / Through blizzard, ice, and wild weather / the two holed up, good friends together.” And of Agatha Christie’s dog Peter, readers learn, “He on the rug and she in the chair— / they made a rather cozy pair.” The poems are too bland for these couples, who should have set off some sparks of clever allusion or strange factoid. As the poems are quatrains—plus introductory and closing refrain—you really have to use all the few words you’ve got, and here Spinelli doesn't.
Despite inherently child-friendly subject matter, a nonstarter. (Informational picture book. 4-8)Pub Date: Oct. 1, 2011
ISBN: 978-0-8028-5387-5
Page Count: 26
Publisher: Eerdmans
Review Posted Online: Aug. 30, 2011
Kirkus Reviews Issue: Sept. 15, 2011
Uplifting.
Clark-Robinson celebrates the ways in which women have opened doors for the girls and women coming after them.
Two women, one elderly and one younger, sit a girl down with tea and photographs to tell her stories of how “our mothers and all those who’ve gone before, / paved a freer path and opened a wider door.” The walls of this Black family’s home are covered in framed photographs of diverse historical and contemporary women who made their marks in the worlds of art, sports, politics, and more. As the women encourage the girl to “speak [the] names” of those who came before and recognize that they stand on the shoulders of those women, the art transitions from their home to full spreads showing the heroes in action. Toward the end, as the text repeats praise for the women leaders, the art shows the family framing a photograph of themselves and hanging it on the wall, placing them in the line of strong women as the question is posed to the girl: “Who will stand on YOURS?” Many of the icons in the images will be recognizable to informed readers, overlaying the text’s general message onto specific examples of excellence. Backmatter provides a sentence introducing each figure beneath her portrait, offering an opportunity for readers to “speak their names.” Though perhaps overly hopeful in its depiction of women’s unity across racial lines, this book achieves the effect of an intergenerational embrace. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at 22.2% of actual size.)
Uplifting. (author’s note, illustrator’s note) (Picture book. 4-8)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-35800-1
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
BOOK REVIEW
Successful neither as biography nor sermon.
Our 16th president is presented as an activist for human and civil rights.
Lincoln resembles a doll with an oversized head as he strides through a first-person narrative that stretches the limits of credulity and usefulness. From childhood, Abe, bearded and sporting a stovepipe hat, loves to read, write and look out for animals. He stands up to bullies, noting that “the hardest fights don’t reveal a winner—but they do reveal character.” He sees slaves, and the sight haunts him. When the Civil War begins, he calls it a struggle to end slavery. Not accurate. The text further calls the Gettysburg ceremonies a “big event” designed to “reenergize” Union supporters and states that the Emancipation Proclamation “freed all those people.” Not accurate. The account concludes with a homily to “speak louder then you’ve ever spoken before,” as Lincoln holds the Proclamation in his hands. Eliopoulos’ comic-style digital art uses speech bubbles for conversational asides. A double-page spread depicts Lincoln, Confederate soldiers, Union soldiers, white folk and African-American folk walking arm in arm: an anachronistic reference to civil rights–era protest marches? An unsourced quotation from Lincoln may not actually be Lincoln’s words.
Successful neither as biography nor sermon. (photographs, archival illustration) (Picture book. 4-7)Pub Date: Jan. 14, 2014
ISBN: 978-0-8037-4083-9
Page Count: 40
Publisher: Dial Books
Review Posted Online: Nov. 19, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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