by Eileen Spinelli & illustrated by Keiko Narahashi ‧ RELEASE DATE: March 1, 2001
“I am . . .,” declare the months, as they introduce themselves, starting from the first, January, waking a red-haired child, “easing you out of your cuddle-down sleep” and ending with the last, December, “slowing the evening rush, pulling a blanket over the earth, dusting your dreams . . . hush . . . hush.” The blanket, seen on the end papers, is a cozy, tied quilt decorated with pastel seasonal themes, which unfortunately will be partially concealed under library preparation. Double-paged spreads offer space to depict the characteristics of each month with glorious colors that are “dazzling, bold” and descriptive verbs that “glisten,” “zing,” and “tint,” as they create melodious patterns that “tin-tin” tinkle. The rhymes jump, holler, and flow in all the right places, complemented by the watercolor-and-gouache illustrations. Spinelli (Sophie’s Masterpiece, 2001, etc.) and Narahashi (A Fawn in the Grass, 2001, etc.) have produced an impressive new calendar that will please both the eye and ear. (Picture book. 4-8)
Pub Date: March 1, 2001
ISBN: 0-8050-6685-3
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2002
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by Karen Kilpatrick & Luis O. Ramos Jr. ; illustrated by Germán Blanco ‧ RELEASE DATE: May 28, 2019
An imaginative and engaging look into artistic possibility.
Opposing art implements must learn to coexist in the same space and create together as one adds while the other subtracts.
Change is hard, especially for Pencil. The solitary graphite artist who “loved to draw” finds his worldview challenged when Eraser comes into the picture and uses negative space to complicate the drawings. Believing art can happen only when you add to the image, Pencil has a hard time playing well with others and accepting the notion that, sometimes, less is more. In contrast, ever gleeful Eraser sees potential and beauty in removing. When Pencil challenges Eraser to create art from his chaotic lines, Eraser deftly gives Pencil something he cannot resist: a maze. Eraser’s creativity opens Pencil to the possibility that, perhaps, there might be more to art than making lines on a paper. The two become fast friends as the potential for their creativity doubles when combining forces. Debut illustrator Blanco creates endearing endpapers that serve as mirrors to the story. Although this is a creative concept, it comes after Max Amato’s Perfect (2019), which covers similar conceptual territory. However, through Kilpatrick and Ramos’ text, Pencil and Eraser entangle in a deeper dialogue than Amato’s implements do, and further potential for disaster—or so Pencil would think—is humorously foreshadowed by more art utensils coming into the picture.
An imaginative and engaging look into artistic possibility. (Picture book. 4-8)Pub Date: May 28, 2019
ISBN: 978-1-250-30939-6
Page Count: 40
Publisher: Imprint
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Karen Kilpatrick ; illustrated by Germán Blanco
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by Karen Kilpatrick ; illustrated by Germán Blanco
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by Sue Fliess ; illustrated by Petros Bouloubasis ‧ RELEASE DATE: March 1, 2018
Girl science power and new friendships make for a good combination.
In Fliess’ update, Mary is an inventive scientist, but she’s a lonely one.
“Mary had a little lab. / She tested and created. / While other kids were at the park, / she built and calculated.” The window of her lab provides views of the kids’ fun, and they inspire her to make a friend. Literally. She bikes to a farm for a snip of wool and heads back to use her latest invention: the Sheepinator. The resultant pet is everything she could hope for, not only providing companionship, but also helping out around the house and lab. And when he follows her to school, the kids all ask for their own wooly friends. What could possibly go wrong? Bouloubasis’ hysterical illustrations show the chaos that ensues, but the scientist and her new human friends think of a clever solution that leaves the whole town satisfied…and warm. Fliess’ verses include enough of the original poem (but tweaked) to tickle readers’ funny bones, and the rhyme and rhythm are spot-on. Mary is a wild-haired white redhead who is depicted as safety-conscious (bike helmet, ear protection, rubber gloves, etc.); the other kids are a diverse group. Most diverse (and somewhat distracting) of all are the noses on their faces—all sizes, shapes, and colors.
Girl science power and new friendships make for a good combination. (Picture book. 4-8)Pub Date: March 1, 2018
ISBN: 978-0-8075-4982-7
Page Count: 37
Publisher: Whitman
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by Sue Fliess & Ann Marie Stephens ; illustrated by Alexandra Colombo
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