by Karen Kilpatrick & Luis O. Ramos Jr. ; illustrated by Germán Blanco ‧ RELEASE DATE: May 28, 2019
An imaginative and engaging look into artistic possibility.
Opposing art implements must learn to coexist in the same space and create together as one adds while the other subtracts.
Change is hard, especially for Pencil. The solitary graphite artist who “loved to draw” finds his worldview challenged when Eraser comes into the picture and uses negative space to complicate the drawings. Believing art can happen only when you add to the image, Pencil has a hard time playing well with others and accepting the notion that, sometimes, less is more. In contrast, ever gleeful Eraser sees potential and beauty in removing. When Pencil challenges Eraser to create art from his chaotic lines, Eraser deftly gives Pencil something he cannot resist: a maze. Eraser’s creativity opens Pencil to the possibility that, perhaps, there might be more to art than making lines on a paper. The two become fast friends as the potential for their creativity doubles when combining forces. Debut illustrator Blanco creates endearing endpapers that serve as mirrors to the story. Although this is a creative concept, it comes after Max Amato’s Perfect (2019), which covers similar conceptual territory. However, through Kilpatrick and Ramos’ text, Pencil and Eraser entangle in a deeper dialogue than Amato’s implements do, and further potential for disaster—or so Pencil would think—is humorously foreshadowed by more art utensils coming into the picture.
An imaginative and engaging look into artistic possibility. (Picture book. 4-8)Pub Date: May 28, 2019
ISBN: 978-1-250-30939-6
Page Count: 40
Publisher: Imprint
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Karen Kilpatrick ; illustrated by Germán Blanco
BOOK REVIEW
by Karen Kilpatrick ; illustrated by Germán Blanco
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by Karen Kilpatrick ; illustrated by Germán Blanco
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: May 16, 2023
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.
The Crayons head back to class in this latest series entry.
Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)
Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)Pub Date: May 16, 2023
ISBN: 9780593621110
Page Count: 32
Publisher: Philomel
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Kevin Cornell
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SEEN & HEARD
SEEN & HEARD
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