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WHAT DO ANGELS WEAR?

Spinelli takes a hoary cliché—the rhymed picture book—and turns it into a lovely, lilting paean to childhood and play. Mama tucks a child into bed who asks, “Tell me this, can angels fly?” Mama responds to each of the child’s questions: angels sing “like birds in spring” and in answer to the title question, “Flowing flower-printed smocks, / And in winter, woolen socks.” And what angels these are: sturdy angels that are really a gaggle of multi-ethnic children with wings, dancing, playing (“They play wave-to-every-car”), baking. Are angels real? “Real as love and wind and light, / Real as Mama’s kiss good night.” Caldecott-winner McCully’s angels tumble on clouds, in starry night skies, through the rain and into pear orchards: blond, brunette, redhead; brown, pink, and caramel; wearing glasses, playing instruments, each with their own pair of small white wings. Dulcet and delicious—a charming bedtime story. (Picture book. 3-6)

Pub Date: Oct. 1, 2003

ISBN: 0-06-028886-8

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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JULES VS. THE OCEAN

A sweet sisterhood seaside story.

Little Jules is determined to impress her big sister with an amazing sand castle…

…but the Ocean has other plans! Sima’s story hinges on Jules’ adoration of her big sister (unnamed and with slightly darker brown skin than Jules’ and their mom’s). When Mom brings them to the beach, Jules immediately starts building while her sister goes off with a boogie board. Jules toils away, and as the tide rolls in, the Ocean demolishes her creation. While Jules takes the Ocean’s destruction personally, her sister says, “this happens to everyone” before heading back out to the waves. Jules is discouraged as she sees other kids’ impressive, still-standing sand castles, but she persists only to be thwarted again by the Ocean. Her lowest point comes when the tides sweep away her bucket. Big sister comes to the rescue—not to save it but to help build another castle, using only their hands. It’s “definitely the BIGGEST…FANCIEST…MOST EXCELLENT” castle, but then, “Uh-oh.” A massive, spread-spanning CRASH! both obliterates the castle and leaves Jules and her sister exhilarated, and they race back to tell their mom what’s happened. In a twist that feels lifted from a Bob Graham story, “Mom assures them that happens to everyone.” Sima’s big-nosed cartoons are also reminiscent of Graham’s, in both the character-developing details (Jules’ ears stick out through her bobbed haircut endearingly) and their obvious affection for one another.

A sweet sisterhood seaside story. (Picture book. 3-6)

Pub Date: June 16, 2020

ISBN: 978-1-5344-4168-2

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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THE GINGERBREAD MAN

A traditional cumulative tale, which Aylesworth (My Sister's Rusty Bike, 1996, etc.) endows with a lively pace, is illustrated in a decidedly old-fashioned style, giving the book the look and feel of a reproduction of an old edition. Working with precise pen-and-ink, McClintock portrays the cozy home of an elderly couple, dressed in Victoriana and in possession of a great wood-burning stove. Her work has never been more animated than in the scenes of the two-dimensional gingerbread man running away, exuberantly eluding everyone elsethe couple, a butcher, and a cow and pig dressed in human clothesuntil he is devoured by a fox. The portrayals of a cow and pig are more bizarre than charming, and the too-obvious wrinkles on the elderly people's faces are one example of eccentric choices on the part of the illustrator.With Richard Egielski's The Gingerbread Boy (1997) hot off the press and other fine variations of the tale still in print, it's hard to make the case for this one, other than to appreciate its antique look. (Picture book/folklore. 4-6)

Pub Date: April 1, 1998

ISBN: 0-590-97219-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1998

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