by Jessie Sima ; illustrated by Jessie Sima ‧ RELEASE DATE: June 16, 2020
A sweet sisterhood seaside story.
Little Jules is determined to impress her big sister with an amazing sand castle…
…but the Ocean has other plans! Sima’s story hinges on Jules’ adoration of her big sister (unnamed and with slightly darker brown skin than Jules’ and their mom’s). When Mom brings them to the beach, Jules immediately starts building while her sister goes off with a boogie board. Jules toils away, and as the tide rolls in, the Ocean demolishes her creation. While Jules takes the Ocean’s destruction personally, her sister says, “this happens to everyone” before heading back out to the waves. Jules is discouraged as she sees other kids’ impressive, still-standing sand castles, but she persists only to be thwarted again by the Ocean. Her lowest point comes when the tides sweep away her bucket. Big sister comes to the rescue—not to save it but to help build another castle, using only their hands. It’s “definitely the BIGGEST…FANCIEST…MOST EXCELLENT” castle, but then, “Uh-oh.” A massive, spread-spanning CRASH! both obliterates the castle and leaves Jules and her sister exhilarated, and they race back to tell their mom what’s happened. In a twist that feels lifted from a Bob Graham story, “Mom assures them that happens to everyone.” Sima’s big-nosed cartoons are also reminiscent of Graham’s, in both the character-developing details (Jules’ ears stick out through her bobbed haircut endearingly) and their obvious affection for one another.
A sweet sisterhood seaside story. (Picture book. 3-6)Pub Date: June 16, 2020
ISBN: 978-1-5344-4168-2
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Julia Donaldson illustrated by Axel Scheffler ‧ RELEASE DATE: June 1, 1999
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
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SEEN & HEARD
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