by Eimear Lynch ‧ RELEASE DATE: May 1, 2014
An intimate oral history of the silly, funny and lovely aspects of being a bridesmaid; readers can decide for themselves...
Vignettes from modern bridesmaids.
Writer and editor Lynch was in the midst of planning bachelorette parties and bridal showers for her sister when it dawned on her that being a bridesmaid is “one of the rare things that many women have in common by the time they turn thirty.” In this book, the author provides 60 snapshots of the experience from people as diverse as an ex-nun, a frat boy and the 13-year-old tomboy who carried Princess Diana’s 25-foot train. There’s also “The Scarlett O’Hara Look-Alike,” “The Drunk Bride’s Bridesmaid,” “The Jilted Ex” and “The Bridezilla Victim,” among others. Lynch recounts a Mormon wedding with 600 guests, a ceremony in a prison and another at Burning Man, where the bride and bridesmaid dressed alike in matching goggles and tutus. Other stories: a teenage bridesmaid who lost her virginity to the pianist at her brother’s wedding; a bride who kicked her bridesmaid out of her wedding for missing the third bridal shower; a bridesmaid who had to spend $37,000 to be in 12 weddings in three years. Weddings are always emotional times, and no one is in a better position to dish on the drama than the bridesmaid. From much of the evidence here, future brides will learn how their attendants really feel about those matching chiffon dresses. While 95 percent of bridesmaids will find something to bitch about, 100 percent are flattered to be chosen. Touching, weird and introspective stories let the reader draw her own conclusions about what it means to support a friend during one of life’s major transitions. As for the author, she confesses that her own wedding will be bridesmaid-less.
An intimate oral history of the silly, funny and lovely aspects of being a bridesmaid; readers can decide for themselves what they think about the modern wedding experience.Pub Date: May 1, 2014
ISBN: 978-1-250-04177-7
Page Count: 256
Publisher: Picador
Review Posted Online: March 15, 2014
Kirkus Reviews Issue: April 1, 2014
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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More by E.T.A. Hoffmann
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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