An intimate oral history of the silly, funny and lovely aspects of being a bridesmaid; readers can decide for themselves...



Vignettes from modern bridesmaids.

Writer and editor Lynch was in the midst of planning bachelorette parties and bridal showers for her sister when it dawned on her that being a bridesmaid is “one of the rare things that many women have in common by the time they turn thirty.” In this book, the author provides 60 snapshots of the experience from people as diverse as an ex-nun, a frat boy and the 13-year-old tomboy who carried Princess Diana’s 25-foot train. There’s also “The Scarlett O’Hara Look-Alike,” “The Drunk Bride’s Bridesmaid,” “The Jilted Ex” and “The Bridezilla Victim,” among others. Lynch recounts a Mormon wedding with 600 guests, a ceremony in a prison and another at Burning Man, where the bride and bridesmaid dressed alike in matching goggles and tutus. Other stories: a teenage bridesmaid who lost her virginity to the pianist at her brother’s wedding; a bride who kicked her bridesmaid out of her wedding for missing the third bridal shower; a bridesmaid who had to spend $37,000 to be in 12 weddings in three years. Weddings are always emotional times, and no one is in a better position to dish on the drama than the bridesmaid. From much of the evidence here, future brides will learn how their attendants really feel about those matching chiffon dresses. While 95 percent of bridesmaids will find something to bitch about, 100 percent are flattered to be chosen. Touching, weird and introspective stories let the reader draw her own conclusions about what it means to support a friend during one of life’s major transitions. As for the author, she confesses that her own wedding will be bridesmaid-less.

An intimate oral history of the silly, funny and lovely aspects of being a bridesmaid; readers can decide for themselves what they think about the modern wedding experience.

Pub Date: May 1, 2014

ISBN: 978-1-250-04177-7

Page Count: 256

Publisher: Picador

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Possibly inspired by the letters Cleary has received as a children's author, this begins with second-grader Leigh Botts' misspelled fan letter to Mr. Henshaw, whose fictitious book itself derives from the old take-off title Forty Ways W. Amuse a Dog. Soon Leigh is in sixth grade and bombarding his still-favorite author with a list of questions to be answered and returned by "next Friday," the day his author report is due. Leigh is disgruntled when Mr. Henshaw's answer comes late, and accompanied by a set of questions for Leigh to answer. He threatens not to, but as "Mom keeps nagging me about your dumb old questions" he finally gets the job done—and through his answers Mr. Henshaw and readers learn that Leigh considers himself "the mediumest boy in school," that his parents have split up, and that he dreams of his truck-driver dad driving him to school "hauling a forty-foot reefer, which would make his outfit add up to eighteen wheels altogether. . . . I guess I wouldn't seem so medium then." Soon Mr. Henshaw recommends keeping a diary (at least partly to get Leigh off his own back) and so the real letters to Mr. Henshaw taper off, with "pretend," unmailed letters (the diary) taking over. . . until Leigh can write "I don't have to pretend to write to Mr. Henshaw anymore. I have learned to say what I think on a piece of paper." Meanwhile Mr. Henshaw offers writing tips, and Leigh, struggling with a story for a school contest, concludes "I think you're right. Maybe I am not ready to write a story." Instead he writes a "true story" about a truck haul with his father in Leigh's real past, and this wins praise from "a real live author" Leigh meets through the school program. Mr. Henshaw has also advised that "a character in a story should solve a problem or change in some way," a standard juvenile-fiction dictum which Cleary herself applies modestly by having Leigh solve his disappearing lunch problem with a burglar-alarmed lunch box—and, more seriously, come to recognize and accept that his father can't be counted on. All of this, in Leigh's simple words, is capably and unobtrusively structured as well as valid and realistic. From the writing tips to the divorced-kid blues, however, it tends to substitute prevailing wisdom for the little jolts of recognition that made the Ramona books so rewarding.

Pub Date: Aug. 22, 1983

ISBN: 143511096X

Page Count: 133

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 16, 2011

Kirkus Reviews Issue: Aug. 1, 1983

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