Reliable sci-fi entertainment that breaks little new ground.

ROBINSON CRUSOE 2244

Robinson’s debut novel reimagines Defoe’s classic story, with plucky teenage Robinson Crusoe in a dystopian future 200 years from now.

Sometime in the near future, humanity nearly destroys itself, leaving a ruined world. Hundreds of years later, civilization is rebuilt as an oppressive society of haves and have-nots, where a new group of wealthy and powerful families—called Tiers—have arisen. Into this dog-eat-dog, class-based culture is born young Robinson Crusoe, whose father is Tier of Transportation. His lifelong wish for adventure is answered when political conflict between Tiers wipes out his family and he’s forced to flee for his life. His midnight journey takes an even more frightening turn when he’s shipwrecked on the forbidden shores of America, a vast, terrifying wasteland. Though at first it seems he cannot possibly survive, Robinson employs ingenuity and a considerable amount of luck to keep alive in the ruins of what was once Washington, D.C., now haunted by cannibals, savages and deadly mutations called Renders. As he struggles to live from day to day, he’s joined in his efforts by his own “Girl Friday” —in this case, a young girl. Risky romance, constant danger and a great degree of personal growth are central to the narrative, as Robinson finds he must uncover a great secret from the past that could spell salvation or final destruction to the world. He must choose whether or not he wishes to rise beyond mere survival to become a true hero. The characters are entertaining but lightweight, and their dialogue is serviceable: “I don’t hate you, boy,” a man tells Robinson. “Only what you’re destined to become.” The plot is understandably derivative, combining Defoe’s original with the general template of dystopian YA sci-fi in the 21st century. Nevertheless, the text is breezy and engaging, and the pace and color make the familiarity forgivable. Typographical errors are somewhat frequent, but the tale, first in a planned series, is comfortably, competently told.

Reliable sci-fi entertainment that breaks little new ground.

Pub Date: July 31, 2014

ISBN: N/A

Page Count: 266

Publisher: Amazon Digital Services

Review Posted Online: Jan. 21, 2015

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Reader Votes

  • Readers Vote
  • 12

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

Did you like this book?

more