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A THOUSAND NIGHTS

Detailed and quiet, beautifully written with a literary rhythm that evokes a sense of oral tale-telling, this unexpected...

A loose retelling of The Arabian Nights frame story from Morris Award– and Kirkus Prize–finalist Johnston takes ideas of power and gender, belief and love, and upends them.

Somewhere in the pre-Islamic Middle East, an unnamed girl narrates how, with the intent of saving her beloved sister, she sets herself against a king who has already wed and killed 300 wives before the story begins. Desert spirit Lo-Melkhiin (neither djinn or afrit is used but readers familiar with Arabic tradition will recognize the mythic wellspring) has possessed a king and feeds upon human creativity; he is also the only named character throughout the novel, a bold stylistic choice that shapes the entire tone. This is a story of the unnamed and unnoticed in which women’s unrecognized power (from the prayers of the narrator’s mother, sister, and sister’s mother to the creative genius of women in the qasr, entirely overlooked by Lo-Melkhiin) provides the magic that defeats the demonic presence. Fueled by prayers and love (her family has made her a smallgod, or local deity, something usually done only after death), determined to stop the cycle of pointless deaths, the narrator tells stories that become truths, possibly including her own.

Detailed and quiet, beautifully written with a literary rhythm that evokes a sense of oral tale-telling, this unexpected fantasy should not be missed. (Fantasy. 12 & up)

Pub Date: Oct. 6, 2015

ISBN: 978-1-4847-2227-5

Page Count: 336

Publisher: Hyperion

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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EVERY EXQUISITE THING

An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.

In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.

Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.

An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)

Pub Date: May 26, 2026

ISBN: 9781250346797

Page Count: 384

Publisher: Wednesday Books

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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