With a rich idea satisfyingly carried out, novelist/biographer Feinstein (All You Need, 1990, etc.) focuses on the erotic life of D.H. Lawrence (1885-1930). Curiously pagan yet puritanical, Lawrence, Feinstein explains, remained a virgin until his 23rd year and later assumed a strange stance in print—that woman was the sexual servant of man and should not be brought to orgasm during love-play, and that exciting the clitoris was a ``lesbian'' practice not to be allowed by a proud male. Nonetheless, he wrote about sex with a lyrical flair and frankness unmatched in English literature. He was misunderstood, however, since although the object of his groundbreaking Lady Chatterley's Lover was to celebrate tenderness between lovers, not greasy sex, Lady Chatterley followed his earlier The Rainbow in being publicly vilified and banned. Feinstein looks into the love ties between the nonadulterous Lawrence and all the women in his life. The writer, she says, hated his coal-miner father for being beastly to his mother, and drew him savagely in Sons and Lovers, but then later came round to his father's view, feeling that in a robust marriage, such as his own with Frieda von Richthofen, he should imitate his father and wipe up the floor with Frieda regularly. Six years older than Lawrence and the married mother of three children, Frieda gave up her family to run off with the young writer. But to Lawrence, any woman who befriended him was fair game for his pen, and he alienated many with his deeply dismissive or poisonous portraits. A typical Lawrence moment: He dusts some cups and saucers with a poker, then says, ``Beware, Frieda, if you ever talk to me like that again, it will not be the tea things I smash but your head.'' Not much new, but smartly joined together. (Sixteen pages of b&w photos—not seen.)
Pub Date: March 17, 1993
ISBN: 0-06-016226-0
Page Count: 400
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1993
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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