Plodding pace and an unduly Byzantine plot, even by genre standards.

THE SINGER’S CROWN

Eunuch prince reclaims his family’s usurped throne in this fantasy debut.

Rhys, now called Kattanan, is the last of the Rinvien line. His three brothers and his mother, the Queen of Lochalyn, were murdered by his uncle Thorgir, who seized the crown. Thorgir spared Rhys but ordered him castrated to avoid future succession disputes. Raised in a monastery dedicated to Goddess worship, Kattanan becomes a talented court singer, traded from realm to realm as human collateral. Separated at the court of an emir from his companion and mentor Jordan, Kattanan is brought to Bernholt, domain of corrupt King Gerrod, who has been struck down by a wizard-instigated illness. Kattanan becomes the beloved hairdresser and personal cantor of Gerrod’s daughter, Melisande. Her suitor, a wizard apprentice named Earl Orie, seeks to ingratiate himself at the Bernholt court, but Kattanan intuits that he has ulterior motives. When Melisande goes to Gamel’s Grove to marry Orie, Kattanan follows. There he befriends Fionvar, Orie’s older brother. Expelled by Orie, Kattanan is rescued by Jordan, who proceeds to Bernholt and enlists his nemesis, the Wizard of Nine Stars, to cure King Gerrod. But Gerrod, ensnared by Orie’s machinations, condemns his son Wolfram, who had been regent during his illness. Wolfram flees and goes to the aid of Kattanan, now recognized as the true heir by the Duchess Elyn, ruler of the Rinvien court in exile. Nasty squire Montgomery, an Orie cohort, tortures Jordan, taken prisoner by the usurpers. With wizardly help to deepen his voice, Kattanan rides to battle as King Rhys, deposing Thorgir. He is betrothed to Fionvar’s lover Brianna, who is pregnant and will help perpetuate the fiction of King Rhys’s manhood. Swashbuckling ill suits Kattanan, and Melisande, now pregnant by Orie, still misses her former singer. But what if his castration were just another wizard’s device?

Plodding pace and an unduly Byzantine plot, even by genre standards.

Pub Date: Oct. 1, 2005

ISBN: 0-06-078253-6

Page Count: 480

Publisher: Eos/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2005

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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THE PRIORY OF THE ORANGE TREE

After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 23, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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