Moral subtlety loses out to breathless pacing; the ending is derivative of Scott Westerfeld’s superior Uglies (2005).
This debut dystopia succeeds at suspense and tension but fails at moral complexity.
Vi lives in the beige Goodlands, where good people wear required “oatmeal-colored shirts” and, by prohibition, never hug or touch. But Vi does touch and kiss her boyfriend Zenn, and she crosses forbidden borders and unplugs herself from mandatory brainwashing transmissions. She explains early on that “Goodies are walking paper dolls, devoid of personality—and brains” while authoritarian Thinkers “do the thinking so regular people won’t have to.” Unlike speculative fiction that successfully questions whether eliminating wars and providing adequate food for everyone might be worth losing cultural freedoms, this tale manages neither nuance nor ambiguity. Vi escapes from prison with hottie rebel Jag and travels to seek asylum, pursued by Thinkers of unknown loyalty, slowly realizing that she and Jag can control others. They lie to each other constantly, their supposedly deep love reading like simple sexual chemistry. Vi’s voice is sarcastic—“we were in the park after dark (gasp!)”—with random bits of teen syrup (Jag has “blueberry eyes”). Revelations come hard and fast but don’t feel meaningful, due to thin worldbuilding and sketchy details; in this society, how could Vi possibly understand a concept like “rights”?
Moral subtlety loses out to breathless pacing; the ending is derivative of Scott Westerfeld’s superior Uglies (2005). (Science fiction. 14 & up)Pub Date: June 7, 2011
ISBN: 978-1-4424-2125-7
Page Count: 416
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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