Moral subtlety loses out to breathless pacing; the ending is derivative of Scott Westerfeld’s superior Uglies (2005).
This debut dystopia succeeds at suspense and tension but fails at moral complexity.
Vi lives in the beige Goodlands, where good people wear required “oatmeal-colored shirts” and, by prohibition, never hug or touch. But Vi does touch and kiss her boyfriend Zenn, and she crosses forbidden borders and unplugs herself from mandatory brainwashing transmissions. She explains early on that “Goodies are walking paper dolls, devoid of personality—and brains” while authoritarian Thinkers “do the thinking so regular people won’t have to.” Unlike speculative fiction that successfully questions whether eliminating wars and providing adequate food for everyone might be worth losing cultural freedoms, this tale manages neither nuance nor ambiguity. Vi escapes from prison with hottie rebel Jag and travels to seek asylum, pursued by Thinkers of unknown loyalty, slowly realizing that she and Jag can control others. They lie to each other constantly, their supposedly deep love reading like simple sexual chemistry. Vi’s voice is sarcastic—“we were in the park after dark (gasp!)”—with random bits of teen syrup (Jag has “blueberry eyes”). Revelations come hard and fast but don’t feel meaningful, due to thin worldbuilding and sketchy details; in this society, how could Vi possibly understand a concept like “rights”?
Moral subtlety loses out to breathless pacing; the ending is derivative of Scott Westerfeld’s superior Uglies (2005). (Science fiction. 14 & up)Pub Date: June 7, 2011
ISBN: 978-1-4424-2125-7
Page Count: 416
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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