ELSIE PIDDOCK SKIPS IN HER SLEEP

One of the loveliest of tales (revived in a smaller-sized edition by Candlewick in 1997) is here given full-dress treatment. The story, a natural for read-aloud, tells of Elsie, who lived in Glynde under Caburn, and began skipping as soon as she could walk. She skips in her dreams, too, so well that even the fairies notice and invite her to learn the Long Skip, the Strong Skip, and the Skip All Together at the new moon on Mount Caburn. The fairies give her a special skipping-rope, with “sugardy candy” and “almond rock” handles that never lose their sweetness. Elsie continues to be the best skipper of all, even when she outgrows the rope, and children skip on Mount Caburn at the new moon long after Elsie becomes a woman and gives up skipping. But much later, when her name is forgotten, a harsh Lord wants to build a factory on Caburn. Elsie at 109 has a plan to thwart him. The rhythm of the jump-rope chants, the children’s guileless play, and the sprinkle of fairy dust make this tale irresistible. Voake’s bewitching ink-and-watercolor illustrations, mostly in the greens and duns of a misty meadow hill, capture Farjeon’s otherworldliness and utter charm. (Picture book. 4-9)

Pub Date: Sept. 1, 2000

ISBN: 0-7636-0790-8

Page Count: 48

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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An invitation to wonder, imagine and look at everything (humans included) in a new way.

NOAH CHASES THE WIND

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 3, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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A validating and breathtaking next chapter of a Mother Goose favorite.

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AFTER THE FALL (HOW HUMPTY DUMPTY GOT BACK UP AGAIN)

Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.

An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.

A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62672-682-6

Page Count: 45

Publisher: Roaring Brook

Review Posted Online: July 17, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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