by Eleanor Farjeon & illustrated by Charlotte Voake ‧ RELEASE DATE: Oct. 1, 1997
Voake's ink-and-watercolor sketches match the delicate clarity of Farjeon's prose to perfection in this small, handsomely turned-out volume that makes available to a new generation a classic tale of tyranny overcome. The tale is filled with fairies and children, led by heroic Elsie, who both at seven and at a hundred and seven could skip rope, even with her eyes closed. Elsie so impresses the fairies that they teach her their own skills—and a century later she puts them to good use when a greedy landowner attempts to build a factory on the hilltop where fairies and generations of children have traditionally gone to jump rope. The story is still spry and wise, and Voake makes this neglected literary gem—and unforgettable read-aloud—look new. (Fiction. 8-11)
Pub Date: Oct. 1, 1997
ISBN: 0-7636-0133-0
Page Count: 61
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1997
Share your opinion of this book
More by Eleanor Farjeon
BOOK REVIEW
by Eleanor Farjeon & illustrated by Charlotte Voake
BOOK REVIEW
by Eleanor Farjeon & illustrated by Tim Ladwig
BOOK REVIEW
by Eleanor Farjeon & Herbert Farjeon & illustrated by Rosalind Thornycroft
by Kirkpatrick Hill ‧ RELEASE DATE: Sept. 1, 2000
In 1948 the unorthodox Miss Agnes arrives to teach the children of an Athabascan Indian Village in remote Alaska. Ten-year-old Fred (Fredrika) matter-of-factly narrates this story of how a teacher transformed the school. Miss Agnes’s one-room schoolhouse is a progressive classroom, where the old textbooks are stored away first thing upon her arrival. The children learn to read using handmade books that are about their own village and lives: winter trapping camps, tanning moose hides, fishing, and curing the catch, etc. Math is a lesson on how not to get cheated when selling animal pelts. These young geographers learn about the world on a huge map that covers one whole schoolhouse wall. Fred is pitch-perfect in her observations of the village residents. “Little Pete made a picture of his dad’s trapline cabin . . . He was proud of that picture, I could tell, because he kept making fun of it.” Hill (Winter Camp, 1993, etc.) creates a community of realistically unique adults and children that is rich in the detail of their daily lives. Big Pete is as small and scrappy, as his son Little Pete is huge, gentle, and kind. Fred’s 12-year-old deaf sister, Bokko, has her father’s smile and has never gone to school until Miss Agnes. Charlie-Boy is so physically adept at age 6 that he is the best runner, thrower, and catcher of all the children. These are just a few of the residents in this rural community. The school year is not without tension. Will Bokko continue in school? Will Mama stay angry with Miss Agnes? And most important, who will be their teacher after Miss Agnes leaves? A quiet, yet satisfying account. (Fiction. 9-11)
Pub Date: Sept. 1, 2000
ISBN: 0-689-82933-7
Page Count: 128
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
Share your opinion of this book
More by Kirkpatrick Hill
BOOK REVIEW
by Kirkpatrick Hill ; illustrated by LeUyen Pham
BOOK REVIEW
by Kirkpatrick Hill illustrated by LeUyen Pham
BOOK REVIEW
by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Share your opinion of this book
More by Nathaniel Lachenmeyer
BOOK REVIEW
by Nathaniel Lachenmeyer ; illustrated by Frank W. Dormer
BOOK REVIEW
by Nathaniel Lachenmeyer ; illustrated by Carlyn Beccia
BOOK REVIEW
by Nathaniel Lachenmeyer & illustrated by Nicoletta Ceccoli
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.