``Morning has broken/like the first morning,/Blackbird has spoken/like the first bird.'' So begins the hymn—better known as a Cat Stevens song—written for children by Farjeon in 1931. Ladwig's inventive watercolor illustrations are a feast of light and shadow, flooded with sunlight, sparkling water, birds, plants, and animals as a small boy and his grandfather celebrate the morning. A close-up illustration of a blackbird singing opens the book; the bird continues to reappear—in a tree outside the boy's window as he wakes up, reflected in the boy's eyes as he looks at the dew on the grass, perched on a stone angel's wing in a park fountain. The perspective constantly changes: A view of the boy launching a feather from the porch also reveals a forgotten baseball in the gutter. In another—one of the most effective—the boy and grandfather appear reflected in the fountain's pool, affection shining on their faces. Farjeon's verses, with references to the ``Word,'' ``His feet,'' and ``Eden,'' may be too religious for some, but those who share her sentiments will find this a glowing paean to creation. (Picture book. 6-10)
Pub Date: Oct. 1, 1996
ISBN: 0-8028-5127-4
Page Count: 32
Publisher: Eerdmans
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An effective early chapter book conveyed in a slightly overdone gag.
Epistolary dispatches from the eternal canine/feline feud.
Simon the cat is angry. He had done a good job taking care of his boy, Andy, but now that Andy’s parents are divorced, a dog named Baxter has moved into Andy’s dad’s house. Simon believes that there isn’t enough room in Andy’s life for two furry friends, so he uses the power of the pen to get Baxter to move out. Inventively for the early-chapter-book format, the story is told in letters written back and forth; Simon’s are impeccably spelled on personalized stationery while Baxter’s spelling slowly improves through the letters he scrawls on scraps of paper. A few other animals make appearances—a puffy-lipped goldfish who for some reason punctuates her letter with “Blub…blub…” seems to be the only female character (cued through stereotypical use of eyelashes and red lipstick), and a mustachioed snail ferries the mail to and fro. White-appearing Andy is seen playing with both animals as a visual background to the text, as is his friend Noah (a dark-skinned child who perhaps should not be nicknamed “N Man”). Cat lovers will appreciate Simon’s prickliness while dog aficionados will likely enjoy Baxter’s obtuse enthusiasm, and all readers will learn about the time and patience it takes to overcome conflict and jealousy with someone you dislike.
An effective early chapter book conveyed in a slightly overdone gag. (Fiction. 6-8)Pub Date: May 12, 2020
ISBN: 978-0-8234-4492-2
Page Count: 80
Publisher: Holiday House
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Captivating and powerful.
The story of one person’s life is the very essence of history, transcending time, distance and generations.
A little girl and her great-grandfather meet for the first time and attempt to get to know each other. The child is intrigued by the curiosities she sees in a collection of matchboxes. These matchboxes represent the memories of the old man’s life, a tangible diary, undertaken as a substitute for the written form at a time in his life when he was illiterate. Bits and pieces contained within call forth events, emotions or people that were important in his life’s journey, from his early childhood in Italy to the difficult voyage to America and the struggles of his immigrant family in the new world. An olive pit, a pen nib, a fish bone, a piece of coal and more tell of poverty, dreams and perseverance. Writing entirely in dialogue, Fleischman employs a natural and believable matter-of-fact tone that provides a fresh view of the immigrant experience, as the humble objects and their stories form the beginning of a loving bond between the little girl and her great-grandfather. Ibatoulline’s illustrations, done in acrylic gouache, are extraordinarily detailed and expressive. Modern scenes appear in warm, amber-toned colors, while framed sepia vignettes depict past memories as if part of a family album.
Captivating and powerful. (Picture book. 6-10)Pub Date: March 12, 2013
ISBN: 978-0-7636-4601-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
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