WHITE DOG FELL FROM THE SKY

Name: WHITE DOG FELL FROM THE SKY
Author: Eleanor Morse
ISBN: 978-0-670-02640-1

by Eleanor Morse ‧ RELEASE DATE: Jan. 7, 2013

Morse brings the natural world of Botswana to vivid life, but her idealization of Isaac and all the black Africans as noble...

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Morse’s third novel (An Unexpected Forest, 2007, etc.) details the overlapping lives of a young black man escaping South African apartheid in 1976, around the time of Stephen Biko's murder, and the white American woman who employs him in Botswana.

As an educated black man, promising medical student Isaac’s life is in increasing danger in South Africa, so he leaves his family, his schooling and his fiancee to flee across the border to neighboring Botswana, where blacks and whites live in relative harmony. He is immediately and irrevocably adopted by the stray, overtly metaphoric dog of the title. Isaac moves in with Amen, a former schoolmate now active in the African National Congress, and Amen’s wife and child in their one-room house. He soon takes a job as a gardener for a white American, Alice, whose husband, Lawrence, is an economist for the Botswana government. Isaac knows nothing about gardening but learns about plants and piping techniques from an elderly African gardener. Alice, who works for the government on land-use policy, soon realizes Isaac is an educated man. A complex and interestingly imperfect character, Alice is uncomfortable with her role as a privileged, mildly neurotic white woman surrounded by need and poverty. After several miscarriages, Alice and Lawrence’s marriage unravels. At emotional loose ends, Alice goes on a working vacation where she falls into a deep but doomed love affair with an older, married Englishman. While housesitting for Alice, Isaac is deported back to South Africa, exactly what he hoped to avoid. When Alice discovers he has disappeared, she reaches out to his family with unexpected results.

Morse brings the natural world of Botswana to vivid life, but her idealization of Isaac and all the black Africans as noble victims does them a disservice by making them two-dimensional in contrast to the three-dimensional whites.

Pub Date: Jan. 7, 2013

ISBN: 978-0-670-02640-1

Page Count: 368

Publisher: Viking

Review Posted Online: Nov. 13, 2012

Kirkus Reviews Issue: Dec. 1, 2012

Categories:

LITERARY FICTION

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HOUSE OF LEAVES

by Mark Z. Danielewski ‧ RELEASE DATE: March 6, 2000

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

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An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

Categories:

LITERARY FICTION

- BOOK REVIEW
TOM'S CROSSING
by Mark Z. Danielewski

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THE LITTLE BLUE KITE
by Mark Z. Danielewski

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HADES
by Mark Z. Danielewski

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ANIMAL FARM

A FAIRY STORY

by George Orwell ‧ RELEASE DATE: Aug. 26, 1946

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A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.