This book uses intriguing imagery to build a magical world, but it never settles on a clear message.
An old fisher recalls almost catching a mermaid in this debut picture book.
The story begins by describing hidden creeks that run beneath Knoxville, Tennessee. The unnamed narrator describes seeing a mermaid in one of the creeks, snatching away bread the narrator was feeding to a school of carp. Later, the narrator, revealed as a grandparent regaling children with the tale, recalls almost catching a mermaid during a flood. The mermaid escapes and, in a beautiful final image, is reunited with her nursing mother and baby sibling. Deal’s otherworldly ink-and-paint illustrations give a surreal aspect to even mundane subjects, such as the pollution featured prominently in the images of these creeks. Scott’s text combines repeated rhyming phrases after sections of nonrhyming poetic text that describe “green-eyed carp” and “halls of moss and snakeskin.” Both the text and imagery play up the mysterious beauty of these forgotten places, but the story’s overall intention is elusive. The garbage in the river is a clear problem, but it’s never mentioned by the narrator, and the fisher is punished for trying to catch the mermaid when she bites him, but otherwise the story passes no judgment.
This book uses intriguing imagery to build a magical world, but it never settles on a clear message.Pub Date: Oct. 31, 2020
ISBN: N/A
Page Count: 32
Publisher: Part Flamingo Press
Review Posted Online: April 27, 2020
Review Program: Kirkus Indie
Charming and thought-provoking proof that we all contain multitudes.
Oscar winner McConaughey offers intriguing life observations.
The series of pithy, wry comments, each starting with the phrase “Just because,” makes clear that each of us is a mass of contradictions: “Just because we’re friends, / doesn’t mean you can’t burn me. / Just because I’m stubborn, / doesn’t mean that you can’t turn me.” Witty, digitally rendered vignettes portray youngsters diverse in terms of race and ability (occasionally with pets looking on) dealing with everything from friendship drama to a nerve-wracking footrace. “Just because I’m dirty, / doesn’t mean I can’t get clean” is paired with an image of a youngster taking a bath while another character (possibly an older sibling) sits nearby, smiling. “Just because you’re nice, / doesn’t mean you can’t get mean” depicts the older one berating the younger one for tracking mud into the house. The artwork effectively brings to life the succinct, rhyming text and will help readers make sense of it. Perhaps, after studying the illustrations and gaining further insight into the comments, kids will reread and reflect upon them further. The final page unites the characters from earlier pages with a reassuring message for readers: “Just because the sun has set, / doesn’t mean it will not rise. / Because every day is a gift, / each one a new surprise. BELIEVE IT.” As a follow-up, readers should be encouraged to make their own suggestions to complete the titular phrase. (This book was reviewed digitally.)
Charming and thought-provoking proof that we all contain multitudes. (Picture book. 5-8)Pub Date: Sept. 12, 2023
ISBN: 9780593622032
Page Count: 32
Publisher: Viking
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
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