One hates to see Kayla, a good Nantucketer, take it on the chin like this. But, well, for a good story? Hey.
Follow-up to Hilderbrand’s debut, The Beach Club (2000), that summons up stronger plotting but is still sheer as a see-through bikini.
Hilderbrand’s steady flow of island detail impresses as a kind of consumer’s guide to Nantucket even as one’s hunger deepens for a Bret Eaton Ellis psycho amid the glitter or even an ax-wielding Russian student of Nietzsche out to murder a Monomoy millionaire. Can one really read 200-plus pages of this chicken salad? Three women in their 40s have met for 19 years on the Friday of Labor Day weekend for moonlit Champagne-and-lobster-tails, all-night nude swim, and heartfest. Kayla Montero, with four kids, fights her weight while married to her gorgeously handsome Brazilian husband, Raoul, a contractor with a ten-million-dollar house to build—and quite possibly mistresses to service. Antoinette Riley, who has been “having crazy sex,” is “dark-skinned like an Egyptian priestess” and has “the sexiest voice on the planet. . . dark and exotic, like sandalwood, like expensive chocolate.” A daughter, Lindsey, “the color of a wine cork” and given up for adoption as a baby, has tracked Antoinette (who has $30 million from Microsoft investments) down and wants to meet her the day after the swim party. Married Valerie Gluckstern, Nantucket’s top lawyer, has been having an affair “with someone they all know” and will tell all at the swim. Valerie brings a Methuselah of Laurent-Perrier Champagne to the swim, Antoinette a tub of lobster tails, Kayla a quart of raspberries and pale creamy Saint André cheese. Then Antoinette swims out, never returning. Police, coast guard, no Antoinette. Next day Kayla meets Lindsey, gives her the bad news, escorts her about. As it happens, Antoinette was pregnant by Kayla’s 18-year-old son, Theo! From there, everything dips deep into Peyton Place country, with Kayla turning adulteress as the muck rises.
One hates to see Kayla, a good Nantucketer, take it on the chin like this. But, well, for a good story? Hey.Pub Date: June 1, 2001
ISBN: 0-312-28335-0
Page Count: 240
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
Flamboyantly written, if a little too conventionally peopled and plotted.
A treasure hunt leads a young girl to discover her mother’s darkest secret.
In 1936, 9-year-old Alice has been consigned by her mother, Selina Lennox Carew, to the care of her Lennox grandparents at their ancestral stately home, Blackwood Park. The reason for this custodial arrangement is Selina’s trip to Southeast Asia with Alice’s cold, distant father, Rupert, who needs to visit his ruby mines in Burma. Alice is kept abreast of her parents’ travels through her mother’s letters, delivered by longtime family servant Polly. Alice is also directed, by Polly, to discover clues set by her mother, leading the girl on a treasure hunt that helps lift her out of her depression. Alice’s Blackwood sojourn alternates with chapters set in 1925, when young Selina, age 22, is setting the London tabloids ablaze with her antics as one of a cadre of Bright Young People, devil-may-care upper-class flappers and their escorts. But everything changes when, on a madcap treasure hunt of her own, Selina meets Lawrence Weston, a struggling portrait painter and aspiring photographer. The two are drawn inexorably into an affair. Selina's choice of a passionless marriage to Rupert over life with her soul mate, Lawrence, is the fateful decision on which the novel turns, and her rationalizations will be a little too pat to satisfy most readers. Nor will readers be long baffled by Alice’s hunt—given the 1925 backstory, the solution to the puzzle is obvious almost from the start. But genuine surprises do await, even if they entail punishing Selina, after the manner of post-Code Hollywood melodrama, for her breach of class boundaries, disregard for propriety, and unladylike smoking and drinking. The characters verge on stereotypical although there are no true villains and only the domestics lack flaws, particularly Polly and Mr. Patterson, the gardener who introduces Alice to the redemptive joys of nature. However, Grey’s use of sensory detail, enlivening the most mundane of scenes, redeems this novel, too.
Flamboyantly written, if a little too conventionally peopled and plotted.Pub Date: Dec. 10, 2019
ISBN: 978-1-250-06679-4
Page Count: 480
Publisher: Thomas Dunne Books
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Moyes has mastered the art of likable, not terribly memorable, but far from simple-minded storytelling.
Popular British author Moyes (The Girl You Left Behind, 2013, etc.) offers another warmhearted, off-kilter romance, this one between a financially strapped single mother and a geeky tech millionaire.
Ten years ago, Jess Thomas got pregnant and dropped out of high school to marry Marty. Two years ago, hapless Marty temporarily moved out of their home on the southern coast of England to sort out his life. He never returned. Cleaning houses by day and working in a pub at night, Jess barely earns enough to support her 10-year-old daughter, Tanzie, and her 16-year-old stepson, Nicky, whom she’s been raising since he was 8. Jess worries constantly about sensitive Nicky, a moody goth regularly beaten up by the local bully. Math genius Tanzie presents a different crisis: She’s been offered a generous scholarship to a private school her current teachers say she needs, and Jess can’t come up with the balance. The only hope is winning prize money at a math tournament in Scotland, but how to get there? Meanwhile, one of Jess’ cleaning clients, computer whiz Ed Nicholls, has come to stay in his seaside vacation home to avoid publicity surrounding insider trading charges. He and Jess share an instant mutual dislike, but when he ends up drunk at the pub, Jess makes sure he gets home safely. Partly out of gratitude, but largely to escape pressure from lawyers, his ex-wife and his sister—who’s nagging him to attend his father’s birthday party—Ed offers to drive Jess, her kids and their large dog to Scotland. A road-trip-from-hell romantic comedy ensues, complete with carsickness, bad meals and missed signals. Unsurprisingly, hostility evolves into mutual attraction. But Moyes throws in a few wrenches, like Tanzie’s failure at the competition, Ed’s father’s cancer and the cash Jess has secretly kept since it fell out of Ed’s pocket at the pub that first night.
Moyes has mastered the art of likable, not terribly memorable, but far from simple-minded storytelling.Pub Date: July 1, 2014
ISBN: 978-0-525-42658-5
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: May 16, 2014
Kirkus Reviews Issue: June 1, 2014
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