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NANTUCKET NIGHTS

One hates to see Kayla, a good Nantucketer, take it on the chin like this. But, well, for a good story? Hey.

Follow-up to Hilderbrand’s debut, The Beach Club (2000), that summons up stronger plotting but is still sheer as a see-through bikini.

Hilderbrand’s steady flow of island detail impresses as a kind of consumer’s guide to Nantucket even as one’s hunger deepens for a Bret Eaton Ellis psycho amid the glitter or even an ax-wielding Russian student of Nietzsche out to murder a Monomoy millionaire. Can one really read 200-plus pages of this chicken salad? Three women in their 40s have met for 19 years on the Friday of Labor Day weekend for moonlit Champagne-and-lobster-tails, all-night nude swim, and heartfest. Kayla Montero, with four kids, fights her weight while married to her gorgeously handsome Brazilian husband, Raoul, a contractor with a ten-million-dollar house to build—and quite possibly mistresses to service. Antoinette Riley, who has been “having crazy sex,” is “dark-skinned like an Egyptian priestess” and has “the sexiest voice on the planet. . . dark and exotic, like sandalwood, like expensive chocolate.” A daughter, Lindsey, “the color of a wine cork” and given up for adoption as a baby, has tracked Antoinette (who has $30 million from Microsoft investments) down and wants to meet her the day after the swim party. Married Valerie Gluckstern, Nantucket’s top lawyer, has been having an affair “with someone they all know” and will tell all at the swim. Valerie brings a Methuselah of Laurent-Perrier Champagne to the swim, Antoinette a tub of lobster tails, Kayla a quart of raspberries and pale creamy Saint André cheese. Then Antoinette swims out, never returning. Police, coast guard, no Antoinette. Next day Kayla meets Lindsey, gives her the bad news, escorts her about. As it happens, Antoinette was pregnant by Kayla’s 18-year-old son, Theo! From there, everything dips deep into Peyton Place country, with Kayla turning adulteress as the muck rises.

One hates to see Kayla, a good Nantucketer, take it on the chin like this. But, well, for a good story? Hey.

Pub Date: June 1, 2001

ISBN: 0-312-28335-0

Page Count: 240

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

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HIGH NOON

Nerve-wracking suspense leavened with romance and spiced with sex: another hit for the prolific Roberts (Blue Smoke, 2005,...

Murder mixes with anguish in steamy Savannah.

FBI-trained hostage negotiator Phoebe MacNamara is a lieutenant in the Savannah police department. Ever since Phoebe and her family were held hostage when she was 12, her mother has been agoraphobic, and Phoebe and her brother Carter still bear the psychological scars, but Phoebe’s used the memory to hone her skills. While talking a suicidal bartender off a ledge, she meets his boss, Duncan Swift. The charming millionaire coaxes her into meeting for a drink, and their relationship slowly deepens. But life takes a turn for the worse when a misogynist cop botches a hostage situation. Suspended, he blames Phoebe and retaliates by viciously attacking her in the precinct house stairwell. He loses his job, but his father’s connections keep him out of jail. Phoebe is physically and mentally injured, but her family and her blossoming relationship with Duncan help her cope until a dangerous pattern develops: A strange man keeps crossing her path. Dead animals begin appearing on her doorstep. A hostage taker is shot after she talks him into surrendering. Her ex-husband is brutally murdered by the mystery man, who phones her with sadistic threats. Is it the spiteful disgraced cop or someone from her past? Phoebe must identify the killer before he can carry out his final outrage.

Nerve-wracking suspense leavened with romance and spiced with sex: another hit for the prolific Roberts (Blue Smoke, 2005, etc.).

Pub Date: July 10, 2007

ISBN: 978-0-399-15434-8

Page Count: 480

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2007

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SURFSIDE SISTERS

An engaging tale about how childhood expectations can be transformed on the journey through adulthood.

Longtime best friends struggle to remain connected when their lives take divergent paths.

Keely Green and Isabelle Maxwell have been attached at the hip since preschool. Although they are both natives of Nantucket, they have always had very different lifestyles. Where Keely resides in a modest home, Isabelle’s attorney father is able to provide his family with every luxury. Even so, the girls bond over their love of Nantucket and shared dreams of becoming writers. As they grow and end up at different colleges, they see that life can often complicate friendships, and they begin to gradually grow apart. When Isabelle declares she has found the perfect man, Keely begins dating Isabelle’s long-ago boyfriend, Tommy. Tension over Tommy causes the young women’s relationship to grow increasingly strained. Adding drama to this now-fraught relationship is the moment when Keely makes it as a bestselling novelist and moves to New York, while Isabelle, who was always the more cosmopolitan of the pair, is still living on the island, with no professional prospects in sight. Despite her success, Keely feels empty without Isabelle at her side. As these young women see their lives unfolding in ways they never expected, the biggest question they face is whether they will ever find a way back to each other. Offering details about life on Nantucket—both during the winter months, when only true islanders are present, and in summer, when the town is overrun with vacationers—Thayer (A Nantucket Wedding, 2018, etc.) brings the island to life so vividly that Nantucket becomes its own character. Told in the third person, the novel follows Keely as she navigates coming-of-age, changing friendships, romance, and caring for an ailing parent. The author also sheds a bright light on some of the difficulties inherent in the writer’s life, including loneliness and constant self-doubt. Told in a plot-focused, accessible prose, the novel appears at first to be a light read, but it deals artfully with heavier issues, including guilt, envy, and forgiveness.

An engaging tale about how childhood expectations can be transformed on the journey through adulthood.

Pub Date: July 2, 2019

ISBN: 978-1-5247-9872-7

Page Count: 320

Publisher: Ballantine

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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