Charming if sometimes a little hard to follow.
An estate-sale manager in a small Massachusetts town stumbles on its worst-kept secret.
When Emma Lewis’ parents ask her to move back to Harrow and take over Estate of Mind—their business staging home sales for estates, downsizers, and others—she steps in with relative ease, having been been sticking price tags on candelabras all her life. Since they’re retiring to Cape Cod, they also offer her their house, and have already arranged a roommate: her father’s friend Frank Crowley, a retired math teacher, recently widowed when his wife was struck by lightning on the golf course. The warm relationship that develops between Frank and Emma as they share the house and soon, the responsibilities of the business, is at the heart of this tale of love and money and love-for-money. Estate of Mind soon has the opportunity to put on a sale at the infamous house at 1010 Quail Ridge Road, which operated variously as a B&B and a brothel known as Lola’s Ladies. Meanwhile, Frank has begun dating Connie Winooski, a recent widow and mother of the police chief, Luke Winooski. When Luke and Emma also start seeing each other, sticky situations arise. This book is all about the complications and overlapping romantic alliances that are the leitmotif of small-town drama, and some readers may find it useful to make a character list to keep track of all the names and relationships. For example, who is Theo? Well, he’s former kindergarten teacher Athena’s son; she’s now dating Manny, the disgraced former police chief, who was married to Lola, the “housemother.” Theo himself is dating Rain, aka Francine, the daughter of Frank’s dead wife, Ginger, from her marriage to Stefan. Lipman seems to be having herself a grand old time with this sort of thing. For the Daily Double, what’s the connection between John-Paul, Uncle Paul, and Paulina? Devoted readers will be ready for the quiz.
Charming if sometimes a little hard to follow.Pub Date: Feb. 11, 2025
ISBN: 9780063322257
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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