Warm, clever, a little silly, a lot of fun.
A professional thank-you-note writer buys a house with a past and gets more than she bargained for.
Faith Frankel is feeling like a bit of a loser. She has a futureless job writing letters to alumni in the development department of her old private school. Her fiance, who gave her a piece of red thread in lieu of an engagement ring, is on a cross-country walk to benefit his own personal growth and is documenting the trip on Facebook with selfies that include smiling ex-girlfriends in locations across the country. Her insurance-agent father has become a painter in his retirement and left her mother for the woman who convinced him to start a bat-mitzvah-gift forgery business. “She asked if he could make a copy of Chagall, but perhaps more lavender than blue—purple was their daughter’s favorite color—and work her daughter’s name into it, and give the angel her face, with her bangs but without her braces.” This, it turns out, is a business model whose time has come. When Faith finds, in the attic of her new little house, a photo album containing images of what may be dead twin babies, she's so creeped out that she offers her empty second bedroom to her handsome, kind, newly single, and homeless officemate. Nick Franconi is another idea whose time has come. Of course things will get worse before they get better, with the local police department ripping up her basement in search of murder evidence and a scandal at the office in which Faith is accused of funneling a huge alumni donation to her fiance. Lipman (The View from Penthouse B, 2013, etc.) is known for her dialogue, so snappy, funny, and real that it cancels out any dubiousness about the kooky mystery plot.
Warm, clever, a little silly, a lot of fun.Pub Date: Feb. 14, 2017
ISBN: 978-0-544-80824-9
Page Count: 320
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Oct. 19, 2016
Kirkus Reviews Issue: Nov. 1, 2016
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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