A plausibly authentic account skillfully avoiding risk of excessive anthropomorphism.
by Eliot Schrefer ‧ RELEASE DATE: Sept. 25, 2018
The last entry in a quartet by Schrefer (Mez’s Magic, 2018, etc.) chronicles an imagined early encounter between a human child and a gorilla family.
The setting is Africa’s Great Rift Valley 600,000 years ago, when volcanic eruptions changed the landscape, bringing early humans into contact with apes for the first time. The story is written in free verse from the point of view of a young female gorilla, Snub, whose family group consists of Mother; Brother; baby brother, Breath; two older females, Wrinkled and Teased; and Silverback, the alpha male. A volcanic eruption disrupts the little group, and Snub becomes a leader, in charge of baby Breath and Brother, as she negotiates a perilous, rapidly-changing landscape in search of hospitable habitat for her family. The main threat comes not from the volcano but from the “not-gorillas,” early humans who, although physically weaker, have superior skills and use rocks as tools and missiles to attack the gorillas. The titular orphan is a young girl who befriends the small gorilla family and helps to protect and defend them with her human abilities. Scientific accuracy paired with lyrical, subjective language describing the young gorilla’s impressions of her surroundings and bodily needs make this book an imaginative, eloquent evocation of a little-known era in prehistory from an animal’s viewpoint.
A plausibly authentic account skillfully avoiding risk of excessive anthropomorphism. (Novel in verse. 12-16)Pub Date: Sept. 25, 2018
ISBN: 978-0-545-65505-7
Page Count: 336
Publisher: Scholastic
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
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by Eliot Schrefer ; illustrated by Jules Zuckerberg
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by Eliot Schrefer ; illustrated by Daniel Duncan
by Marie Lu ‧ RELEASE DATE: Nov. 29, 2011
A gripping thriller in dystopic future Los Angeles.
Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)Pub Date: Nov. 29, 2011
ISBN: 978-0-399-25675-2
Page Count: 336
Publisher: Putnam
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Oct. 15, 2011
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BOOK TO SCREEN
by Ben Philippe ‧ RELEASE DATE: Jan. 8, 2019
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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