Hu’s study of Korea’s beauty cult is fascinating and disturbing, woven with threads of dark humor and personal experience.
The host of “TED Talks Daily” and host at large for NPR shines a bright light into the shadowy world of manufactured beauty and endless “self-improvement.”
There is a Korean phrase, bbali bbali, which means fast, fast. Hu, a winner of the Edward R. Murrow Award, among others, believes it sums up South Korea’s rush into hypermodernity. When she arrived in Seoul in 2015 to establish a bureau for NPR, she was stunned by the cult of beauty that grips Korean women. The aim of Western cosmetics is often to accentuate natural features, but in South Korea, the goal is skin that seems so perfect it needs nothing else. The beauty industry in Korea relies on intensive research and marketing by the skin care firms, which provide a continuing procession of products. The author also looks at the massive business of cosmetic surgery, which can amend any part of the body. This is less about self-expression and more about an aspiration toward perfection: blemish-free skin, long, shining hair, a narrow nose, anime-size eyes, a delicate jawline, and legs shaped to meet a mathematical formula. It ultimately leads to a sameness of look, but Korean women see it as a necessary investment for social success, and the few who buck the trend face ostracism. Looking at this endless commodification of the female body, Hu asks: “Where do we draw the line on appearance work when the work gets less and less invasive and previously impossible changes become possible?” She also notes that some women, accustomed to the filtered images on Snapchat and Instagram, want to be “improved” to look like their digital images. These trends, exacerbated by social media and Korea’s export marketing machine, are having a global impact, including in the U.S. Hu is unsure about how these issues will play out, but she hopes that there will be a turn away from relentless superficiality. She is a capable guide to the current fraught landscape.
Hu’s study of Korea’s beauty cult is fascinating and disturbing, woven with threads of dark humor and personal experience.Pub Date: May 23, 2023
ISBN: 9780593184189
Page Count: 384
Publisher: Dutton
Review Posted Online: Feb. 1, 2023
Kirkus Reviews Issue: March 1, 2023
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
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