BEACH

Another charmer from Cooper, who, with his signature impressionistic, diminutive figures and scenes, delivers a perfect day at the beach, observing people, paraphernalia and nature. Panoramic views appose Lilliputian visual narratives—a woman pulling a wagon packed with toys and kids, a boy pretending he’s a sea turtle as the waves carry him out, kids building a sand castle and a dog barking at waves. People are depicted like embellished artists’ wooden movable figures, jointed but amorphous in detail, and the simple daubs of paint generate motion like a handful of animation cels or a flip book. Masterful page composition creates a cinematic effect by panning from double spreads of the far-reaching vista to close-up pages of layered tiers of miniature dioramic scenes that are both graceful and fluid. As soothing and satisfying as the spray from dancing waves, sand between your toes and sun-warmed, waist-high water, this is as close as you can get to the beach without getting wet. As daylight ebbs, the beach empties but leaves behind “a day to remember when the beach is far away.” (Picture book. 4-8)

Pub Date: June 1, 2006

ISBN: 0-439-68785-3

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2006

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Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...

ROSIE REVERE, ENGINEER

Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.

Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)

Pub Date: Sept. 3, 2013

ISBN: 978-1-4197-0845-9

Page Count: 32

Publisher: Abrams

Review Posted Online: July 17, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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JOHNNY APPLESEED

Though she never says outright that he was a real person, Kurtz introduces newly emergent readers to the historical John Chapman, walking along the Ohio, planting apple seeds, and bartering seedlings to settlers for food and clothing. Haverfield supplies the legendary portions of his tale, with views of a smiling, stylishly ragged, clean-shaven young man, pot on head, wildlife on shoulder or trailing along behind. Kurtz caps her short, rhythmic text with an invitation to “Clap your hands for Johnny Chapman. / Clap your hands for Johnny Appleseed!” An appealing way to open discussions of our country’s historical or legendary past. (Easy reader/nonfiction. 5-6)

Pub Date: Sept. 1, 2004

ISBN: 0-689-85958-9

Page Count: 32

Publisher: Aladdin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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