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SHE'S ALWAYS HUNGRY

An unsettling collection of stories that solidifies Clark as a writer to watch in the world of horror.

In a new collection of short stories, Clark shows off a growing mastery of the absurd, the bizarre, and body horror.

In “Build a Body Like Mine,” a nameless narrator grows a cult following on the internet after admitting she uses parasites—tapeworms—to help her lose weight and stay in shape. In “Hollow Bones,” a young woman recovers on a space station after an incident she can’t remember which left her with a strange, glowing injury. “The Shadow Over Little Chitaly,” perhaps the collection’s standout, is told through increasingly bizarre reviews of an Italian-Chinese-Australian fusion restaurant that keeps bungling takeout orders and might or might not be of this world. The tongue-in-cheek narrative structure and the reviewers’ surreal interactions with the restaurant create a story that’s laugh-out-loud funny while maintaining a sense of unease. Unfortunately, while many of the stories are successfully built on strange and engaging concepts, others have a tendency to end abruptly and without the skin-crawling payout that readers expect from a writer dabbling in body horror, visiting distant planets, and awakening eldritch creatures. When they’re not uncanny or causing a general sense of discomfort, the stories can feel more like vignettes than finished products, blurry snapshots of modern life and explorations of humanity that are over as quickly as they’ve begun. The result is a tantalizing and sometimes uncomfortable book—especially for more squeamish readers—that could have provided more for those wanting an exploration of the base human needs, especially hunger, in its literal and metaphorical senses.

An unsettling collection of stories that solidifies Clark as a writer to watch in the world of horror.

Pub Date: Nov. 12, 2024

ISBN: 9780063393264

Page Count: 240

Publisher: Harper Perennial/HarperCollins

Review Posted Online: Oct. 11, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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