An unsettling collection of stories that solidifies Clark as a writer to watch in the world of horror.
In a new collection of short stories, Clark shows off a growing mastery of the absurd, the bizarre, and body horror.
In “Build a Body Like Mine,” a nameless narrator grows a cult following on the internet after admitting she uses parasites—tapeworms—to help her lose weight and stay in shape. In “Hollow Bones,” a young woman recovers on a space station after an incident she can’t remember which left her with a strange, glowing injury. “The Shadow Over Little Chitaly,” perhaps the collection’s standout, is told through increasingly bizarre reviews of an Italian-Chinese-Australian fusion restaurant that keeps bungling takeout orders and might or might not be of this world. The tongue-in-cheek narrative structure and the reviewers’ surreal interactions with the restaurant create a story that’s laugh-out-loud funny while maintaining a sense of unease. Unfortunately, while many of the stories are successfully built on strange and engaging concepts, others have a tendency to end abruptly and without the skin-crawling payout that readers expect from a writer dabbling in body horror, visiting distant planets, and awakening eldritch creatures. When they’re not uncanny or causing a general sense of discomfort, the stories can feel more like vignettes than finished products, blurry snapshots of modern life and explorations of humanity that are over as quickly as they’ve begun. The result is a tantalizing and sometimes uncomfortable book—especially for more squeamish readers—that could have provided more for those wanting an exploration of the base human needs, especially hunger, in its literal and metaphorical senses.
An unsettling collection of stories that solidifies Clark as a writer to watch in the world of horror.Pub Date: Nov. 12, 2024
ISBN: 9780063393264
Page Count: 240
Publisher: Harper Perennial/HarperCollins
Review Posted Online: Oct. 11, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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