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IT ALL BEGAN IN MONTE CARLO

Although her acerbic prose is a welcome diversion, Adler’s tell-don’t-show moralizing may have unintended consequences:...

Another frothy adventure in the South of France, Adler’s follow-up to There’s Something About St. Tropez (2009).

In this third of a series begun with Those Malibu Nights (2008), reality-TV detective Mac Reilly and his perennial fiancée, sleek Latina stunner Sunny Alvarez, return. In a huge hissy after Mac postpones their nuptials yet again, Sunny boards a Christmas Eve flight from Los Angeles to Paris with her cranky Chihuahua. In first class, she encounters Eddie, a handsome CEO who sympathizes with her distress, and recommends, instead of frigid Paris, Monte Carlo—he even books her hotel room from his laptop. (He’ll later follow her there.) In Monte Carlo, Sunny is spotted by superannuated (and aptly-named) Baltic Eurotrash predator Kitty Ratte. Kitty, constantly looking to exploit the vulnerabilities of the young, rich and beautiful to salve her own bitterness at being none of the above, almost befriends Sunny before being shortstopped by Sunny’s movie-star BFF, Allie. While the women await Mac’s contrite appearance, a crime spree is in progress: In Paris and Monte Carlo, ritzy jewelry emporiums specializing in rare diamonds have been ripped off in spectacular heists. Each time, one robber targeted the youngest and prettiest store employee. The assailant pistol-whipped her Parisian victim, shattering her cheekbone. In Monte Carlo, a young mother died after being shot in the face. Upon arriving in France, Mac is drawn into the robbery-murder investigation. Kitty finds her mark in Eddie and somehow ensnares him in a laughably inept blackmail scheme. Maha, gorgeous Indian slum-dweller turned world-renowned jewelry designer, recruits Sunny (she’s back with Mac, but still determined to reassert her independence) to courier gems back to Mumbai. The whodunit is so transparent that Adler’s real agenda shines through—demonstrating that the young, rich and beautiful are more deserving than the old, ugly and disadvantaged.

Although her acerbic prose is a welcome diversion, Adler’s tell-don’t-show moralizing may have unintended consequences: Readers might sympathize more with Kitty than with her smugly entitled jet-setter nemeses.

Pub Date: July 1, 2010

ISBN: 978-0-312-38515-6

Page Count: 384

Publisher: St. Martin's

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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