Although her acerbic prose is a welcome diversion, Adler’s tell-don’t-show moralizing may have unintended consequences:...



Another frothy adventure in the South of France, Adler’s follow-up to There’s Something About St. Tropez (2009).

In this third of a series begun with Those Malibu Nights (2008), reality-TV detective Mac Reilly and his perennial fiancée, sleek Latina stunner Sunny Alvarez, return. In a huge hissy after Mac postpones their nuptials yet again, Sunny boards a Christmas Eve flight from Los Angeles to Paris with her cranky Chihuahua. In first class, she encounters Eddie, a handsome CEO who sympathizes with her distress, and recommends, instead of frigid Paris, Monte Carlo—he even books her hotel room from his laptop. (He’ll later follow her there.) In Monte Carlo, Sunny is spotted by superannuated (and aptly-named) Baltic Eurotrash predator Kitty Ratte. Kitty, constantly looking to exploit the vulnerabilities of the young, rich and beautiful to salve her own bitterness at being none of the above, almost befriends Sunny before being shortstopped by Sunny’s movie-star BFF, Allie. While the women await Mac’s contrite appearance, a crime spree is in progress: In Paris and Monte Carlo, ritzy jewelry emporiums specializing in rare diamonds have been ripped off in spectacular heists. Each time, one robber targeted the youngest and prettiest store employee. The assailant pistol-whipped her Parisian victim, shattering her cheekbone. In Monte Carlo, a young mother died after being shot in the face. Upon arriving in France, Mac is drawn into the robbery-murder investigation. Kitty finds her mark in Eddie and somehow ensnares him in a laughably inept blackmail scheme. Maha, gorgeous Indian slum-dweller turned world-renowned jewelry designer, recruits Sunny (she’s back with Mac, but still determined to reassert her independence) to courier gems back to Mumbai. The whodunit is so transparent that Adler’s real agenda shines through—demonstrating that the young, rich and beautiful are more deserving than the old, ugly and disadvantaged.

Although her acerbic prose is a welcome diversion, Adler’s tell-don’t-show moralizing may have unintended consequences: Readers might sympathize more with Kitty than with her smugly entitled jet-setter nemeses.

Pub Date: July 1, 2010

ISBN: 978-0-312-38515-6

Page Count: 384

Publisher: St. Martin's

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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This thriller about the pursuit of a serial killer suffers from an unpleasant hero and a glacial pace.


An FBI agent is determined to catch a man who bilks and murders wealthy women, but the chase goes slowly.

Brown (Tailspin, 2018, etc.) has published 70 bestsellers, and this one employs her usual template of thriller spiked with romance. Its main character, Drex Easton, is an FBI agent in pursuit of a serial killer, but for him it’s personal. When he was a boy, his mother left him and his father for another man, Weston Graham. Drex believes Graham murdered her and that he has killed at least seven more women after emptying their bank accounts. Now he thinks he has the clever Graham—current alias Jasper Ford—in his sights, and he’s willing to put his career at risk to catch him. The women Ford targets are wealthy, and his new prey is no exception—except that, uncharacteristically, he has married her. Talia Ford proves to be a complication for Drex, who instantly falls in lust with her even though he’s not at all sure she isn’t her husband's accomplice. Posing as a would-be novelist, Drex moves into an apartment next door to the Fords’ posh home and tries to ingratiate himself, but tensions rise immediately—Jasper is suspicious, and Talia has mixed feelings about Drex's flirtatious behavior. When Talia’s fun-loving friend Elaine Conner turns up dead after a cruise on her yacht and Jasper disappears, Drex and Talia become allies. There are a few action sequences and fewer sex scenes, but the novel’s pace bogs down repeatedly in long, mundane conversations. Drex's two FBI agent sidekicks are more interesting characters than he is; Drex himself is such a caricature of a macho man, so heedless of ethics, and so aggressive toward women that it’s tough to see him as a good guy. Brown adds a couple of implausible twists at the very end that make him seem almost as untrustworthy as Graham.

This thriller about the pursuit of a serial killer suffers from an unpleasant hero and a glacial pace.

Pub Date: Aug. 6, 2019

ISBN: 978-1-4555-7219-9

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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A trifle facile, but this decades-spanning drama is readable and engrossing throughout.

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Two refugees from the Spanish Civil War cross the Atlantic Ocean to Chile and a half-century of political and personal upheavals.

We meet Victor Dalmau and Roser Bruguera in 1938 as it is becoming increasingly clear that the Republican cause they support is doomed. When they reunite in France as penniless refugees, Roser has survived a harrowing flight across the Pyrenees while heavily pregnant and given birth to the son of Victor’s brother Guillem, killed at the Battle of the Ebro. Victor, evacuated with the wounded he was tending in a makeshift hospital, learns of a ship outfitted by poet Pablo Neruda to take exiles to a new life in Chile, but he and Roser must marry in order to gain a berth. Allende (In the Midst of Winter, 2017, etc.) expertly sets up this forced intimacy between two very different people: Resolute, realistic Roser never looks back and doggedly pursues a musical career in Chile while Victor, despite being fast-tracked into medical school by socialist politician Salvador Allende (a relative of the author's), remains melancholy and nostalgic for his homeland. Their platonic affection deepens into physical love and lasting commitment in an episodic narrative that reaches a catastrophic climax with the 1973 coup overthrowing Chile’s democratically elected government. For Victor and Roser, this is a painful reminder of their losses in Spain and the start of new suffering. The wealthy, conservative del Solar family provides a counterpoint to the idealistic Dalmaus; snobbish, right-wing patriarch Isidro and his hysterically religious wife, Laura, verge on caricature, but Allende paints more nuanced portraits of eldest son Felipe, who smooths the refugees’ early days in Chile, and daughter Ofelia, whose brief affair with Victor has lasting consequences. Allende tends to describe emotions and events rather than delve into them, and she paints the historical backdrop in very broad strokes, but she is an engaging storyteller. A touching close in 1994 brings one more surprise and unexpected hope for the future to 80-year-old Victor.

A trifle facile, but this decades-spanning drama is readable and engrossing throughout.

Pub Date: Jan. 21, 2020

ISBN: 978-1-9848-2015-0

Page Count: 336

Publisher: Ballantine

Review Posted Online: Sept. 2, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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